Music: Fuchsprellen rescheduled to Thursday, Jan. 3, at 8 PM

Free improvising Fuchsprellen, whose show last week was postponed because of a short-lived snowstorm, will perform this Thursday, Jan. 3, in the BEST VIDEO PERFORMANCE SPACE. The music will take off at 8 PM and the cover charge is $5.

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Music: John Thomas, playing acoustic guitar, on Wednesday, Jan. 2, at 8 PM

John Thomas will play in the BEST VIDEO PERFORMANCE SPACE this Wednesday, Jan. 2. The music starts at 8 PM and there is a $5 cover.

John Thomas is a fingerstyle guitar player living in Hamden, in southern Connecticut. He plays instrumental acoustic music, mainly blues and ragtime. His influences range from the blues greats of the 1920s and 1930s to Merle Travis, Chet Atkins, and Jerry Reed. Thomas’ guitar playing is deeply steeped in American roots music of the 19th and early 20th centuries.

Playing solo, acoustic music for more than 40 years, his live performances and recordings feature music that ranges from the compositions of classic blues guitarists like Blind Lemon Jefferson and Rev. Gary Davis, to the classic ragtime tunes of Scott Joplin, to the Nashville playing of Chet Atkins and Jerry Reed, and to his own original compositions that echo these influences. For many of the blues tunes and rags in his repertoire he has created original arrangements, including adapting ragtime piano pieces to the guitar.

Check out a John Thomas performance on YouTube:

Tonight’s Fuchsprellen show cancelled because of weather

Tonight’s scheduled Fuchsprellen show has been cancelled because of the weather. We hope to reschedule it soon.

Hank’s Recommendations 12/25/12

hank_paperTROUBLE WITH THE CURVE — Yes, it’s latter day formulaic Clint (codger fighting old age with witty, biting epithets) in a formulaic story (reuniting with alienated daughter on a last talent scouting trip to prove himself). But it’s also a film with many pleasantries: good script and direction (nothing crusty about Clint here), and good acting with real chemistry between Clint and Amy Adams. Plus, you learn a little you probably didn’t know about baseball. This is a romance about baseball, with a pitch that’s opposite the one thrown by MONEYBALL.  It’s about trusting your instincts and experience rather than the stats; about keeping your on the ball instead of on the computer in order to succeed at the game. Here the humanistic element is all over the field. Yes, Moneyball is a better movie but no more satisfying than Trouble With the Curve. Yes, the latter is a conventional feel-good movie. But in the right hands, it’s just what the doctor ordered, just the medicine your mood requires. Sometimes you just don’t want any trouble with the curve.

Music: Henry Sidle; Anna Ayres-Brown on Thursday, Dec. 27, at 8 PM

Young singer-singwriters Henry Sidle and Anna Ayres-Brown will play the BEST VIDEO PERFORMANCE SPACE on Thursday, Dec. 27, with music starting at 7:30 PM. The cover for this show is $5.

Henry Sidle, born in Chicago, is a teenage guitar player and singer/songwriter who plays gigs most days of the year. When Henry was 11, he began to play the guitar. Several years later, Henry has made his way to major festivals, venues, studios, cities and private parties. Henry’s music has been played Sirius XM’s Grateful Dead station. Henry has a unique acoustic rock sound, spiced up with his BOSS RC-30 loop station and large repertoire of originals and covers.

Henry’s main influences are The Beatles, Phish, Grateful Dead, Frank Zappa, Pink Floyd, Bob Marley, Sublime, The Avett Brothers, Toots and the Maytals, and Keller Williams. Henry’s originals go from topics such as human awareness to life stories to relationships. Henry has played his guitar at benefit concerts for schools and has played educational songs for pre-schoolers. Back in middle school, Henry performed for large audiences with the jazz band that featured Henry on guitar and the concert band with Henry on piano and guitar. Henry has played small farmers markets, city streets, and book stores. Henry has also played large events such as the Gathering of the Vibes in Bridgeport.

Watch Henry play his song “The World as It Should Be” at the Gathering of the Vibes Festival in 2011:

Anna Ayres-Brown is a 15 year-old sophomore from New Haven, CT. She attends Hopkins School. She began writing songs on the guitar at a young age and has continued with her interest in songwriting. She is in an all-female a cappella group from Hopkins, “Triple Trio”. She is also an avid member of the Drama Association at her school.

Listen to Anna Ayres-Brown’s “Another Day 2”:

UPCOMING PERFORMANCE SPACE EVENTS:

• Wednesday, Jan. 2. ACOUSTIC GUITAR/FOLK: JOHN THOMAS

• Sunday, Jan. 6. FILM SCREENING & TALK: “ALL ME: THE LIFE AND TIMES OF WINFRED REMBERT”

• Wednesday, Jan. 9. ELECTRIC ROCK: MOLD MONKIES

• Thursday, Jan. 10. CLASSICAL GUITAR: ORPHÉE RUSSELL

• Monday, Jan. 14. FILM SERIES: WHAT WOULD YOU DO? “STATE OF THE UNION”

Music: Fuchsprellen on Wednesday, Dec. 26, at 8 PM

Fuchsprellen—the name comes from “fox tossing,” a popular blood sport of the 17th and 18th centuries—play free-form, improvised music.  The trio is comprised of Steve Chillemi (who plays drums in Captain  Beefheart cover band Doctor Dark) on bass clarinet and soprano saxophone, Peter Riccio (guitarist and singer of The Sawtelles) on drums and Pete Brunelli on bass.

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The group will explore unmarked sonic territory in the BEST VIDEO PERFORMANCE SPACE on Wednesday, Dec. 26, with the music starting at 8 PM. The cover for this show is $5. No foxes will be harmed in the making of this music.

UPCOMING PERFORMANCE SPACE EVENTS:

• Thursday, Dec. 27. SINGER-SONGWRITERS: HENRY SIDLE, ANNA AYRES-BROWN

• Wednesday, Jan. 2. ACOUSTIC GUITAR/FOLK: JOHN THOMAS

• Sunday, Jan. 6. FILM SCREENING & TALK: “ALL ME: THE LIFE AND TIMES OF WINFRED REMBERT”

• Wednesday, Jan. 9. ELECTRIC ROCK: MOLD MONKIES

• Thursday, Jan. 10. CLASSICAL GUITAR: ORPHÉE RUSSELL

• Monday, Jan. 14. FILM SERIES: WHAT WOULD YOU DO? “STATE OF THE UNION”

New Releases 12/18/12

Top Hits

Trouble With the Curve (drama, Clint Eastwood. Rotten Tomatoes: 52%. Metacritic: 58. From A.O. Scott’s New York Times review: “The pat and occasionally preposterous story is really just a pretext, a serviceable scaffolding for a handful of expert, satisfying performances. A gaggle of first-rate character actors trails Mr. Eastwood from Turner Field in Atlanta to the rural bars and ballparks, and the star knows how to step aside and let them work. He also has the good sense to realize that, much as we may adore him, we’d sometimes rather spend time with [actress Amy] Adams, who somehow grows tougher, funnier, scarier and more charming with every role.” Read more…)

Pitch Perfect (comedy, Anna Kendrick. Rotten Tomatoes: 79%. Metacritic: 65. From Neil Gewnzlinger’s New York Times review: “This movie is about collegiate a cappella, but it’s loaded with the plotting conventions of the Disney Channel’s tweener shows. That makes it only occasionally funny and not at all illuminating about the rich world of a cappella singing.” Read more…)

Liberal Arts (comedy/drama, Josh Radnor. Rotten Tomatoes: 69%. Metacritic: 55. From Stephen Holden’s New York Times review: “The slick, feel-good Liberal Arts has enough dark notes to make the smug, obsequious performance of its star, Josh Radnor, who also wrote and directed, tolerable and at times even likable. As an actor and filmmaker, Mr. Radnor, of “How I Met Your Mother,” is steeped in sitcom conventions.” Read more…)

10 Years (comedy, Channing Tatum. Rotten Tomatoes: 60%. Metacritic: 61. From Stephen Holden’s New York Times review: “It takes a while to sort out who’s who in the gabby high school reunion comedy 10 Years. But once you do, the movie that comes together is an unpretentious, well-acted ensemble piece that doesn’t aspire to be a portentous generational time capsule like The Big Chill, American Graffiti or Diner. But it has enough markers — a grown-up, married white rapper who break dances; a karaoke bar — to suggest an approximate date.” Read more…)

Total Recall (action remake, Colin Farrell. Rotten Tomatoes: 30%. Metacritic: 43. From A.O. Scott’s New York Times review: “The movie has a lot of chasing, shouting and fighting, carried out in crowded, overscale frames without much regard for either action-film effectiveness or narrative coherence. So much information is thrown at you in such a haphazard fashion that your ability to care dwindles along with your willingness to enjoy any of it.” Read more…)

Diary of a Wimpy Kid: Dog Days (family comedy, Zachary Gordon. Rotten Tomatoes: 50%. Metacritic: 54. From Neil Genzlinger’s New York Times review: “Studios generally don’t like to see the word ‘excruciating’ in a movie review. But the makers of Diary of a Wimpy Kid: Dog Days won’t mind seeing it here, because that’s just what this good-natured if not very ambitious family film is going for. It wants you to feel the pain of the title child, Greg [Zachary Gordon], as he goes through one embarrassment after another during an eventful summer, and you do.” Read more…)

Killer Joe (crime, Matthew McConaughey [this movie comes out on Friday, Dec. 21]. Rotten Tomatoes: 77%. Metacritic: 62. From Manohla Dargis’ New York Times review: “It says something about William Friedkin’s big-screen adaptation of the Tracy Letts play Killer Joe that the title psycho, played by Matthew McConaughey, is, by a long Texas mile, its least objectionable character. Dressed in nearly all black from cowboy hat to boot, with a miserly smile and a dead man’s empty eyes, Joe Cooper, a k a Killer Joe, looks sharp, talks smart. As given demented life by Mr. McConaughey, he is a welcome presence among a collection of nitwits so irremediably disposable that they’re as evanescent as drops of water on a hot wood stove.” Read more…)

Arbitrage (financial drama, Richard Gere. Rotten Tomatoes: 85%. Metacritic: 73. From Manohla Dargis’ New York Times review: “Arbitrage, a sleek entertainment about how very good greed can be, is a fairy tale masquerading as a tragedy. It pivots on Robert Miller [Richard Gere], a shifty hedge-fund manager and 21st-century robber baron who’s foxed his way to the top of New York’s moneyed classes. Charmed and charming, with a quicksilver stride and the self-possession of a man accustomed to hearing the word yes, Robert lives in a rarefied world of private jets, live-in help and seven-figure checks made out to favorite charities.” Read more…)

Resident Evil: Retribution (sci-fi/horror, Milla Jovovich. Rotten Tomatoes: 29%. Metacritic: 39. From Jeannette Catsoulis’ New York Times review: “The fifth entry in a series as indestructible as Alice [Milla Jovovich], its caffeinated heroine, Resident Evil: Retribution finds her still on the mysterious ship where Resident Evil: Afterlife left her. Almost a decade has passed since the endlessly mutating T-Virus began transforming most of humanity (and zoology) into drooling, pimply cannibals, but Alice — part human, part viral, all airbrushed — is still fighting to save the world. She must be as tired as we are.” Read more…)

The Good Doctor (drama, Orlando Bloom. Rotten Tomatoes: 62%. Metacritic: 52. From Stephen Holden’s New York Times review: “Heaven forbid that anyone should have the misfortune to be treated by a physician like Martin Blake [Orlando Bloom], the poker-faced new resident in internal medicine at a Southern California hospital in The Good Doctor. With his ferretlike eyes; thin, unsmiling lips; and tense body language, Martin is such a cold fish he can barely manage a smile. An early indication that something might be seriously wrong with him is a glimpse of his sterile, sparsely furnished, all-white beach-side apartment, which looks more like a laboratory than a home.” Read more…)

Fred & Vinnie (comedy, Fred Stoller)

New Blu-Ray

Trouble With the Curve
Total Recall
Sometimes a Great Notion
Killer Joe
Arbitrage

New Foreign

Free Men (France, drama, Tahar Rahim. Rotten Tomatoes: 75%. Metacritic: 58. From A.O. Scott’s New York Times review: “Ismail Ferroukhi’s new film, Free Men, takes place in Nazi-occupied Paris, by now a familiar setting for morally serious period dramas. The story this movie has to tell is a bit unusual, though: it concerns the efforts by Muslim North African residents of the city to protect Jews and aid the Resistance. Like Rachid Bouchareb’s Days of Glory — about North African soldiers who suffered abuse and discrimination while fighting to liberate France from German domination — Free Men is both proudly conventional and determinedly revisionist. Its protagonist, Younes [Tahar Rahim], would not be out of place in a wartime thriller starring Humphrey Bogart.” Read more…)

New Television

Girls: Season 1 (HBO series, Lena Dunham)
Shameless: Season 2
The Sarah Silverman Program: Season 3

New Documentaries

The Island President (world politics, environment, climate change. Rotten Tomatoes: 98%. Metacritic: 72. From A.O. Scott’s New York Times review: “In other parts of the world, though, the [climate change] issue has a lethal, terrifying urgency. The Island President, a new documentary by Jon Shenk [The Lost Boys of Sudan], visits one such place, the Maldives. That archipelago of roughly 1,200 low-lying islands in the Indian Ocean, of which about 200 are inhabited, is described as “paradise crossed with paradise,” and its soft sand beaches and blue waters have made it a haven for wealthy tourists. Though the film includes spectacular aerial and underwater footage of the Maldives’ beauty, it concentrates its attention on uglier realities.” Read more…)

New Children’s DVDs

Diary of a Wimpy Kid: Dog Days (family comedy, Zachary Gordon, in Top Hits. Rotten Tomatoes: 50%. Metacritic: 54. From Neil Genzlinger’s New York Times review: “Studios generally don’t like to see the word ‘excruciating’ in a movie review. But the makers of Diary of a Wimpy Kid: Dog Days won’t mind seeing it here, because that’s just what this good-natured if not very ambitious family film is going for. It wants you to feel the pain of the title child, Greg [Zachary Gordon], as he goes through one embarrassment after another during an eventful summer, and you do.” Read more…)

Hank’s Recommendations 12/18/12

hank_paperARBITRAGE — Richard Gere playing hedge fund magnate, Robert Miller, looks great per usual but he’s in trouble. He’s made a bad bet on a copper mine that’s keeping him from the much needed sale of his hitherto successful company. What starts out as a temporary business deception to redeem the sale turns all-encompassing when a horrendous incident turns a desire to protect his investors into something that threatens to ruin everything and everyone close to him.

The film has a canny pacing. Starting out evenly at a family birthday party, measured revelations are followed by one swift event after another as the various strands of duplicity knit together to draw the noose tighter and tighter: a noose that will rope you in as well. A superb roster of supporting characters enhances the film’s pedigree and drama: Tim Roth perfectly cast as a slouchy and dogged New York City homicide detective; Britt Marling (writer and star of ANOTHER EARTH and THE SOUND OF MY VOICE) as Miller’s unknowing daughter and financial officer, Nate Parker as a young black man who is Miller’s sole lifeline and for whom integrity is all, New Haven’s own Bruce Altman as a sleazy, suited go-between and Susan Sarandon as Miller’s loving wife who, in a brilliant coda to the film, saves her own revelations for the last.

Forgoing a standard Hollywood ending, this film hews to its own integrity by getting to the heart of the crash of 2008 in one individual, a person not unlike Bernie Madoff although, as incarnated by Richard Gere, certainly better looking. The only unfortunate note in the film is the black dress Sarandon wears in the end sequence—something only Bjork (who does the song at the end credit roll) might wear and actually get away with.

A suggestion: you might watch this film on a double bill with THE QUEEN OF VERSAILLES (reviewed here last week). You can’t ask for a better-balanced program (inadvertent documentary satire and contemporary suspense drama) about how the one per cent lives.

KILLER JOE — A charming Dallas hit man (Matthew McConaughey) brought in by a trashy family to kill the mother for the insurance money causes family dysfunction to run amok. This stylish B-film potboiler actually derived from the long running Broadway play that parodies B-film potboilers is funny and disturbing in equal measures. Among a superb cast, Gina Gershon lets it all hang out as the scheming, two-timing wife while director William Friedkin (THE EXORCIST) proves he hasn’t lost a thing in making a trashy story look classy. The film is sometimes off-putting, but you may also find can‘t take your eyes off it.

January 6 screening date set for Winfred Rembert documentary

All_Me_Winfred_Rembert_DVDAll Me: The Life and Times of Winfred Rembert is director Vivian Ducat’s first feature-length documentary. A native New Yorker, Ducat has directed, produced and written more than 20 long-format documentaries for broadcast. She spent the first part of her career in London, working for the BBC, directing films for series including The Story of English, The Prize: The Epic Quest for Oil, Money, and Power, Assignment (“Mr. Murakami Goes to Washington” and “Uncle Sam’s Last Stand”) and Locomotion. After returning to New York, Ducat produced programs for the WGBH series The Aids Quarterly with Peter Jennings, MacNeil-Lehrer Productions, the ABC News series The Century, and for the WGBH series, The American Experience (“Hawaii’s Last Queen,” narrated by Anna Deveare Smith) among other broadcast venues.

Ducat will screen All Me in the Best Video Performance Space on Sunday, Jan. 6, at 2 PM. The screening will be followed by a Q&A session with director Ducat and the artist Winfred Rembert. The DVD of All Me: The Life and Times of Winfred Rembert is also available for purchase at Best Video for $17.98.

Winfred Rembert, a 66 year-old African American, grew up in Cuthbert, a town in the Southwestern corner of Georgia. Rembert was given away at birth to a great aunt. He spent much of his childhood as a field worker beside his great aunt in the cotton and peanut fields. When he could attend school, he loved drawing but not much else.

Attendance at a civil rights demonstration got him thrown in jail without charges or a trial. An escape over a year later resulted in a prison sentence, but only after Rembert had survived an attempted lynching.

He fell in love with his future wife, and with leather as an art medium, while serving seven years on Georgia chain gangs. Life and eight children intervened after prison; it was not until 1995 that Rembert began to carve, tool and then dye pictures on leather, in his studio in the front room of his home in New Haven, Connecticut.

Most of his colorful art depicts scenes and themes from African American life in segregated Cuthbert, GA and from the time he spent on those chain gangs. His work was exhibited at the Yale University Art Gallery in 2000 and a triptych about a lynching was acquired by Yale for their permanent collection. Rembert subsequently exhibited at various other venues.

His first major catalogued one-man exhibition was presented in New York in 2010 by Adelson Galleries in association with Peter Tillou Works of Art. Rembert and his family still live in New Haven’s inner city. In 2012, a traveling exhibition, a retrospective of Rembert’s art, was curated by the Hudson River Museum, where it showed from February to May. It is currently on exhibition at the Greenville Art Museum in Greenville, South Carolina, where it will be through August 2012.

For me information on All Me: The Life and Times of Winfred Rembert, check out this April, 2012 story by New Haven Register Arts Editor Donna Doherty.

Watch the trailer for All Me:

Music: Big Fat Combo on Thursday, Dec. 20, at 8 PM

The Big Fat Combo hail from Cheshire and offer their own, wry, well-crafted take on rock ‘n’ roll. The quartet is a classic rockabilly group: upright bass and drums, rhythm and lead guitar. Led by singer Tom Hearn, the Big Fat Combo not only play their original tunes (“Tag Sale,” “Banned by Sam the Clam’s” and “Chicks Dig it,” among others) but also riff on classic rock ‘n’ roll, garage rock, punk, country and even some easy listening chestnuts (“Que Sera Sera,” “It was a Very Good Year”) that they make fully their own.

The Big Fat Combo released their first compact disc, “Chicks Dig it,” in 2010.

The music starts at 8 PM; there is a $5 cover.

From Youtube, here is the Big Fat Combo’s Christmas medley: