Lecture on film: Prof. Mark Schenker concludes series on Howard Hawks with “Rio Bravo” Sun., July 30, at 2 PM

In this fifth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Howard Hawks.” The series began on Sunday, July 9, and concludes this Sunday, July 30, at 2 PM with a discussion of Howard Hawks’ 1959 film “Rio Bravo,” which starred John Wayne. Admission is $7.

Reservations are highly recommended.

Hawks’ filmography spans the decades—from “The Road to Glory” (1926) through “Rio Lobo” (1970)—and spans genres, from screwball comedy through sci-fi, western, war films and more. Hawks was nominated for a Best Director Oscar in 1942 for “Sergeant York” and received an Honorary Academy Award in 1975 as a “a master American filmmaker whose creative efforts hold a distinguished place in world cinema.”

The late film critic Roger Ebert hailed “Rio Bravo”:

To watch “Rio Bravo” is to see a master craftsman at work. The film is seamless. There is not a shot that is wrong. It is uncommonly absorbing, and the 141-minute running time flows past like running water. It contains one of John Wayne’s best performances. It has surprisingly warm romantic chemistry between Wayne and Angie Dickinson. Dean Martin is touching. Ricky Nelson, then a rival of Elvis’ and with a pompadour that would have been laughed out of the Old West, improbably works in the role of a kid gunslinger. Old Walter Brennan, as the peg-legged deputy, provides comic support that never oversteps.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted; screenings start at 7 PM unless otherwise noted):

• Wednesday, July 26. MUSIC FROM “THE SIMPSONS”: DR. CATERWAUL’S CADRES OF CLAIRVOYANT CLAPTRAPS with SPECIAL GUESTS

• Thursday, July 27. INDIE SINGER-SONGWRITER: DANIELLE CAPALBO (of QUIET GIANT), SEAN HAROLD (of THE MID SEASON)

• Friday, July 28. WORLD MUSIC: NEELA

• Sunday, July 30, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “RIO BRAVO” (1959)

• Wednesday, Aug. 2. JAZZ: BADSLAX

• Thursday, Aug. 3, 7:30 PM. WOMEN’S FILM SCREENING: “THE MILKY WAY”—HOSTED BY THE JCC OF GREATER NEW HAVEN FOR WORLD BREASTFEEDING WEEK (FREE)

• Friday, Aug. 4, 7:30 PM. BLUEGRASS: HONEY DEWDROPS (GUITARTOWNCT PRODUCTIONS)

• Sunday, Aug. 6, 11-3 PM. ART SALE—ORIGINAL PRINTS

• Wednesday, Aug. 9. EXPERIMENTAL: HUMAN FLOURISHING, DAVE SCANLON, UNDERWEAR

• Thursday, Aug. 10. ALT-COUNTRY: PLYWOOD COWBOY

• Friday, Aug. 11. INDIE ROCK: LYS GUILLORN & HER BAND, ELISA FLYNN

• Sunday, Aug. 13, 2-5 PM. GUITARTOWNCT FREE SUNDAY AFTERNOON BLUEGRASS JAM

• Wednesday, Aug. 16. INDIE ROCK: FURNSSS, TRASH CAN

• Thursday, Aug. 17. STEEL DRUM MUSIC: MIMOSA

• Fridy, Aug. 18. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: ALLEN LOWE & FAKE MUSIC ENSEMBLE with SPECIAL GUESTS

• Saturday, Aug. 19. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: AN HISTORIC; ROSEMARY MINKLER TRIO; BRIAN JARAWA GRAY

• Wednesday, Aug. 23. INDIE ROCK: ROZ & THE RICE CAKES, TEENAGE HALLOWEEN (A TINY BOX BOOKING SHOW)

• Thursday, Aug. 24. ROCK/JAZZ/SOUL: JOE STEIN; INDIE ROCK: ALEX MCGUIRE

• Friday, Aug. 25. POP ROCK: OBERON ROSE

• Tuesday, Aug. 29. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Thursday, Aug. 31. INDIE ROCK: DISCO TEEN ’66

• Friday, Sept. 8. INDIE ROCK: THE SAWTELLES

Thursday, Sept. 14. ACOUSTIC SOUL: CHRISSY GARDNER & ROBERT MESSORE

• Friday, Sept. 15, 7:30 PM. BLUEGRASS: ROB ICKES & TREY HENSLEY (GUITARTOWNCT PRODUCTIONS)

• Saturday, Sept. 16, 8 PM. EXPERIMENTAL/DRONE: GARDENER, LANDING

• Wednesday, Sept. 20. BLUEGRASS: BAIT AND SWITCH

• Friday, Sept. 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Friday, Sept. 29. FOLK: FLINT LADDER

• Saturday, Sept. 30. SINGER-SONGWRITER: JOHN GORKA (ODDBALL PRODUCTIONS)

• Friday, Oct. 6. INDIE ROCK/SINGER-SONGWRITER: THE SHELLYE VALAUSKAS EXPERIENCE

• Friday, Oct. 13. FLASH FICTION: PAUL BECKMAN

• Friday, Oct. 20. BLUEGRASS: MISSY RAINES & THE NEW HIP (GUITARTOWNCT PRODUCTIONS)

• Saturday, Oct. 28. LIGHT UPON BLIGHT HALLOWEEN SHOW

• Saturday, Nov. 4. SOLO MODERN PRIMITIVE GUITAR: SHAWN PERSINGER

• Thursday, Nov. 16, 7 PM. BLUEGRASS: TIM O’BRIEN (SOLD OUT!)

• Friday, Mar. 16. BLUEGRASS: ZOE & CLOYD (A GUITARTOWNCT CONCERT)

Lecture on film: Prof. Mark Schenker continues series on Howard Hawks with “The Big Sleep” Sun., July 23, at 2 PM

In this fifth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Howard Hawks.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, July 9. Admission to each lecture is $7.

Reservations are highly recommended.

In the third installment, Schenker deconstructs Hawks’ knotty 1946 film noir “The Big Sleep”—based on the Raymond Chandler novel—this Sunday, July 23, at 2 PM.

Hawks’ filmography spans the decades—from “The Road to Glory” (1926) through “Rio Lobo” (1970)—and spans genres, from screwball comedy through sci-fi, western, war films and more. Hawks was nominated for a Best Director Oscar in 1942 for “Sergeant York” and received an Honorary Academy Award in 1975 as a “a master American filmmaker whose creative efforts hold a distinguished place in world cinema.”

Roger Ebert hailed Hawks shortly after the director’s death in 1977:

Hawks never consciously aimed for art in his films, and was perhaps quietly amazed that people found it there. But they did. He was never as well known with the public as some of his contemporaries, like Hitchcock and DeMille and Ford. But if you loved movies, you lost a friend the other day. Hawks directed some of the greatest entertainments ever made, and fundamentally shaped the way we perceive many of the great stars.

This series affords Prof. Schenker the opportunity to not only delve into Hawks’ directorial style but also to tease out the various genre conventions the director played with. As with his previous lecture series, Schenker will explore highlights of Hawks’ filmography chronologically, starting with the 1932 gangster classic “Scarface.” The 1940 screwball comedy “His Girl Friday,” starring Cary Grant and Rosalind Russell, is the topic on July 16. The film noir “The Big Sleep,” based on the Raymond Chandler novel and starring Humphrey Bogart, is the focus on July 23 and discussion of the western “Rio Bravo” concludes the series on July 30.

“The Big Sleep” has a reputation as one of the most inscrutable classic movies. Based on a Chandler novel that was itself both a tour-de-force and a puzzling head scratcher, the film was greeted by New York Times critic Bosley Crowther with the complaint, “For ‘The Big Sleep’ is one of those pictures in which so many cryptic things occur amid so much involved and devious plotting that the mind becomes utterly confused.”

But 50 years later, Roger Ebert hailed the movie despite—or perhaps because of—its perceived imperfections:

It is one of the great film noirs, a black-and-white symphony that exactly reproduces Chandler’s ability, on the page, to find a tone of voice that keeps its distance, and yet is wry and humorous and cares. Working from Chandler’s original words and adding spins of their own, the writers (William Faulkner, Jules Furthman and Leigh Brackett)  wrote one of the most quotable of screenplays: It’s unusual to find yourself laughing in a movie not because something is funny but because it’s so wickedly clever. (Marlowe on the “nymphy” kid sister: “She tried to sit in my lap while I was standing up.”) Unlike modern crime movies which are loaded with action, “The Big Sleep” is heavy with dialogue–the characters talk and talk, just like in the Chandler novels; it’s as if there’s a competition to see who has the most verbal style.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining. Schenker’s insights should be particularly trenchant when it comes to the classic “The Big Sleep.”

UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted; screenings start at 7 PM unless otherwise noted):

• Wednesday, July 19. BRAZILIAN MUSIC: SAMBELEZA

• Thursday, July 20, 5:30 PM. WINE TASTING WITH BOB FEINN OF MT. CARMEL WINE & SPIRITS

• Friday, July 21. SOLO GUITAR: GLENN ROTH; SINGER-SONGWRITER: DANA MERRITT

• Saturday, July 22, 7 PM. GARAGE ROCK: DELICATE FLOWERS, DISCO TEEN ’66; FUNK ROCK: NEW AMSTERDAM NOBLES (A CAPITALH BOOKING SHOW)

• Sunday, July 23, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “THE BIG SLEEP” (1946)

• Wednesday, July 26. MUSIC FROM “THE SIMPSONS”: DR. CATERWAUL’S CADRES OF CLAIRVOYANT CLAPTRAPS with SPECIAL GUESTS

• Thursday, July 27. INDIE SINGER-SONGWRITER: DANIELLE CAPALBO (of QUIET GIANT), SEAN HAROLD (of THE MID SEASON)

• Friday, July 28. WORLD MUSIC: NEELA

• Sunday, July 30, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “RIO BRAVO” (1959)

• Wednesday, Aug. 2. JAZZ: BADSLAX

• Thursday, Aug. 3, 7:30 PM. WOMEN’S FILM SCREENING: “THE MILKY WAY”—HOSTED BY THE JCC OF GREATER NEW HAVEN FOR WORLD BREASTFEEDING WEEK (FREE)

• Friday, Aug. 4, 7:30 PM. BLUEGRASS: HONEY DEWDROPS (GUITARTOWNCT PRODUCTIONS)

• Sunday, Aug. 6, 2-5 PM. GUITARTOWNCT FREE SUNDAY AFTERNOON BLUEGRASS JAM

• Wednesday, Aug. 9. EXPERIMENTAL: HUMAN FLOURISHING, DAVE SCANLON, UNDERWEAR

• Thursday, Aug. 10. ALT-COUNTRY: PLYWOOD COWBOY

• Friday, Aug. 11. INDIE ROCK: LYS GUILLORN & HER BAND, ELISA FLYNN

• Wednesday, Aug. 16. INDIE ROCK: FURNSSS, TRASH CAN

• Thursday, Aug. 17. STEEL DRUM MUSIC: MIMOSA

• Fridy, Aug. 18. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: ALLEN LOWE & FAKE MUSIC ENSEMBLE with SPECIAL GUESTS

• Saturday, Aug. 19. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: AN HISTORIC; ROSEMARY MINKLER TRIO; BRIAN JARAWA GRAY

• Wednesday, Aug. 23. INDIE ROCK: ROZ & THE RICE CAKES, TEENAGE HALLOWEEN (A TINY BOX BOOKING SHOW)

• Thursday, Aug. 24. ROCK/JAZZ/SOUL: JOE STEIN; INDIE ROCK: ALEX MCGUIRE

• Friday, Aug. 25. POP ROCK: OBERON ROSE

• Tuesday, Aug. 29. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Thursday, Aug. 31. INDIE ROCK: DISCO TEEN ’66

• Friday, Sept. 8. INDIE ROCK: THE SAWTELLES

Thursday, Sept. 14. ACOUSTIC SOUL: CHRISSY GARDNER & ROBERT MESSORE

• Friday, Sept. 15, 7:30 PM. BLUEGRASS: ROB ICKES & TREY HENSLEY (GUITARTOWNCT PRODUCTIONS)

• Saturday, Sept. 16, 8 PM. EXPERIMENTAL/DRONE: GARDENER, LANDING

• Wednesday, Sept. 20. BLUEGRASS: BAIT AND SWITCH

• Friday, Sept. 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Friday, Sept. 29. FOLK: FLINT LADDER

• Saturday, Sept. 30. SINGER-SONGWRITER: JOHN GORKA (ODDBALL PRODUCTIONS)

• Friday, Oct. 6. INDIE ROCK/SINGER-SONGWRITER: THE SHELLYE VALAUSKAS EXPERIENCE

• Friday, Oct. 13. FLASH FICTION: PAUL BECKMAN

• Friday, Oct. 20. BLUEGRASS: MISSY RAINES & THE NEW HIP (GUITARTOWNCT PRODUCTIONS)

• Thursday, Nov. 16, 7 PM. BLUEGRASS: TIM O’BRIEN (SOLD OUT!)

Prof. Mark Schenker returns for new lecture series starting Sun., July 9; “How to Read a Film” subject is films of Howard Hawks

In this fifth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Howard Hawks.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, July 9. Admission to each lecture is $7.

Howard Hawks on the set of “Bringing Up Baby” (1938).

Reservations are highly recommended.

Hawks’ filmography spans the decades—from “The Road to Glory” (1926) through “Rio Lobo” (1970)—and spans genres, from screwball comedy through sci-fi, western, war films and more. Hawks was nominated for a Best Director Oscar in 1942 for “Sergeant York” and received an Honorary Academy Award in 1975 as a “a master American filmmaker whose creative efforts hold a distinguished place in world cinema.”

Roger Ebert hailed Hawks shortly after the director’s death in 1977:

Hawks never consciously aimed for art in his films, and was perhaps quietly amazed that people found it there. But they did. He was never as well known with the public as some of his contemporaries, like Hitchcock and DeMille and Ford. But if you loved movies, you lost a friend the other day. Hawks directed some of the greatest entertainments ever made, and fundamentally shaped the way we perceive many of the great stars.

This series affords Prof. Schenker the opportunity to not only delve into Hawks’ directorial style but also to tease out the various genre conventions the director played with. As with his previous lecture series, Schenker will explore highlights of Hawks’ filmography chronologically, starting with the 1932 gangster classic “Scarface.” The 1940 screwball comedy “His Girl Friday,” starring Cary Grant and Rosalind Russell, is the topic on July 16. The film noir “The Big Sleep,” based on the Raymond Chandler novel and starring Humphrey Bogart, is the focus on July 23 and discussion of the western “Rio Bravo” concludes the series on July 30.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Schedule:

Sun., July 9, 2 PM: “Scarface” (1932)

Sun., July 16, 2 PM: “His Girl Friday” (1940)

Sun., July 23, 2 PM: “The Big Sleep” (1946)

Sun., July 30, 2 PM: “Rio Bravo” (1959)

UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted; screenings start at 7 PM unless otherwise noted):

• Wednesday, June 14. INDIE ROCK: SPIT-TAKE, GRASS STAINS

• Thursday, June 15. SINGER-SONGWRITER: DAVID BROOKS (OF THE STREAMS)

• Friday, June 16, 7:30 PM. BLUEGRASS: MILE TWELVE (GUITARTOWNCT PRODUCTIONS)

• Wednesday, June 21. PROGRESSIVE FOLK: FE FI FO, SINGER-SONGWRITER: KRIZTA MOON

• Thursday, June 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND; CONTEMPORARY CLASSICAL MUSIC: THE CHRIS CHILDS TRIO

• Friday, June 23. CHAMBER ROCK: THE TET OFFENSIVE; INDIE ROCK: S.G. CARLSON

• Wednesday, June 28. ELECTRO-ACOUSTIC IMPROVISATION: NOAH & DAVID CHEVAN

• Thursday, June 29. POST-MODERN JAZZ/VOCALS: MÉLANGE À TROIS

• Friday, June 30. BLUEGRASS: THE DUDLEY FARMS STRING BAND

• Wednesday, July 5. CONTRA DANCE TUNES: WRY BRED

• Thursday, July 6. BLUES ROCK: PARKER’S TANGENT.

• Friday, July 7. BLUES/FOLK: CODA BLUE

• Sunday, July 9, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S SCARFACE” (1932)

• Wednesday, July 12. SURF ROCK: THE CLAMS

• Thursday, July 13. ROCK: THE RIGHT OFFS

• Friday, July 14. ROCK: ROPE

• Sunday, July 16, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “HIS GIRL FRIDAY” (1940)

• Wednesday, July 19. BRAZILIAN MUSIC: SAMBELEZA

• Friday, July 21. SOLO GUITAR: GLENN ROTH; SINGER-SONGWRITER: DANA MERRITT

• Sunday, July 23, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “THE BIG SLEEP” (1946)

• Wednesday, July 26. MUSIC FROM “THE SIMPSONS”: DR. CATERWAUL’S CADRES OF CLAIRVOYANT CLAPTRAPS with SPECIAL GUESTS

• Friday, July 28. WORLD MUSIC: NEELA

• Sunday, July 30, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “RIO BRAVO” (1959)

• Wednesday, Aug. 2. JAZZ: BADSLAX

• Friday, Aug. 4, 7:30 PM. BLUEGRASS: HONEY DEWDROPS (GUITARTOWNCT PRODUCTIONS)

• Wednesday, Aug. 9. EXPERIMENTAL: HUMAN FLOURISHING

• Thursday, Aug. 10. ALT-COUNTRY: PLYWOOD COWBOY

• Friday, Aug. 11. INDIE ROCK: LYS GUILLORN & HER BAND

• Wednesday, Aug. 16. INDIE ROCK: FURNSSS, TRASH CAN

• Friday, Aug. 25. POP ROCK: OBERON ROSE

• Friday, Sept. 8. INDIE ROCK: THE SAWTELLES

• Friday, Sept. 15, 7:30 PM. BLUEGRASS: ROB ICKES & TREY HENSLEY (GUITARTOWNCT PRODUCTIONS)

• Wednesday, Sept. 20. BLUEGRASS: BAIT AND SWITCH

• Friday, Sept. 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Saturday, Sept. 30. SINGER-SONGWRITER: JOHN GORKA (ODDBALL PRODUCTIONS)

• Friday, Oct. 20. BLUEGRASS: MISSY RAINES & THE NEW HIP (GUITARTOWNCT PRODUCTIONS)

• Thursday, Nov. 16, 7 PM. BLUEGRASS: TIM O’BRIEN

 

Lecture on Film: Mark Schenker concludes John Huston lecture series, piloting “The African Queen” Sun., Nov. 13, 1 PM

Prof. Mark Schenker of Yale College presents the final lecture in his series “How to Read a Film—4 by John Huston” on Sunday, Nov. 13, at 1 PM. This afternoon, Schenker will discuss Huston’s 1951 adventure “The African Queen,” starring Katharine Hepburn and Humphrey Bogart. Admission is $7.

african_queen_ver3_xlg_web

John Huston is one of the giants of American cinema history. A director, screenwriter and occasional actor, his resume includes “The Maltese Falcon,” “Key Largo,” “The African Queen,” “The Man Who Would Be King” and “John Huston’s The Dead.” He was nominated for 15 Academy Awards and won twice (for direction and screenwriting for “The Treasure of the Sierra Madre”).

Writing in 1968, a young Roger Ebert first saw the film as part of a short theatrical re-release. Wrote Ebert:

Perhaps many in the audience, like myself, were seeing the film for the first time. We discovered that its reputation is deserved: It is an almost perfect illustration of how much a really good movie can please. Things happen on the screen that makes you happy. You get involved.

This was a movie that respected its audience and respected its genuine desire to be well and intelligently entertained. By contrast, “The Ambushers” and other mass-produced “entertainments” are obviously made by people with little imagination and no real passion for craftsmanship. Much of “The African Queen’s” success probably can lie credited to those thoroughbreds, Bogart and Miss Hepburn. They took what was probably intended to be a adventure film and turned it into a comedy (and even a statement on human life) by bringing their own personalities into play.

View a trailer for “The African Queen”:

 

UPCOMING EVENTS:

• Wednesday, Nov. 9. NORDIC/CELTIC FOLK MUSIC DUO: WIKFORS & MOSSMAN

• Thursday, Nov. 10. BEST VIDEO FILM & CULTURAL CENTER GALA FIRST ANNIVERSARY BENEFIT (at The Ballroom at The Outer Space) with JEFF FULLER & FRIENDS, THE BANDIDOS, MERCY CHOIR, THE RED HOTS

• Friday, Nov. 11. SINGER-SONGWRITERS: FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Wednesday, Nov. 16. IMPROVISATION/AVANT-GARDE: TOM BLANCARTE, CHRIS CRETELLA, ZACH ROWDEN

• Thursday, Nov. 17. LITERARY: ALICE MATTISON—”THE PLEASURES AND PERILS OF WRITING A NOVEL”

• Friday, Nov. 18. PARTY PUNK: TINY BOX BOOKING presents POSTURE & THE GRIZZLY, PRINCE DADDY & THE HYENA, MILKSHAKES, JUST FRIENDS (7 PM)

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE, JEFF FULLER & ED CERCONE

• Monday, Nov. 21. MEMBER’S CHOICE FILM SCREENING: “RUNAWAY TRAIN”

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN, ALEXANDER

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Monday, Nov. 28. MEMBER’S CHOICE FILM SCREENING: “CHARADE”

• Wednesday, Nov. 30. JAZZ: URI SHAHAM TRIO

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH, SINGER-SONGWRITER: KRISTEN GRAVES

• Friday, Dec. 2. INDIE ROCK: THE SAWTELLES CD RELEASE SHOW, HANK HOFFMAN (solo)

• Sunday, Dec. 4. FREE FIRST SUNDAY AFTERNOON BLUEGRASS JAM (PRESENTED BY GUITARTOWNCT)

• Monday, Dec. 5. MEMBER’S CHOICE FILM SCREENING: “PAT GARRETT & BILLY THE KID”

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Monday, Dec. 12. MEMBER’S CHOICE FILM SCREENING: “WINTER’S BONE”

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Monday, Dec. 19. MEMBER’S CHOICE FILM SCREENING: “CONTACT”

• Friday, Jan. 6. ACOUSTIC FOLK BLUES & MORE: VANGE DURST

• Friday, Jan. 13. BLUEGRASS: FIVE IN THE CHAMBER

• Friday, Jan. 27. JAZZ: BADSLAX

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)

 

Lecture on Film: Mark Schenker continues John Huston lecture series, excavating “The Asphalt Jungle” Sun., Nov. 6

asphalt_jungle_poster_webIn this fourth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of John Huston.” All four lectures will be held on Sunday afternoons at 2 PM, starting on Sunday, Oct. 23, with the exception of the final lecture. The Nov. 13 lecture on “The African Queen” will begin at 1 PM. Admission to each lecture is $7.

Reservations are highly recommended.

The third lecture of the series walks the mean streets of “The Asphalt Jungle,’ a hard-boiled film noir from 1950. Starring Sterling Hayden, “The Asphalt Jungle” was recognized as a classic from the time of its release.

New York Times critic Bosley Crowther wrote in 1950, “We’ve got to hand it to the boys, particularly to Mr. Huston: they’ve done a terrific job! From the very first shot, in which the camera picks up a prowling thug, sliding along between buildings to avoid a police car in the gray and liquid dawn, there is ruthless authority in this picture, the hardness and clarity of steel, and remarkably subtle suggestion that conveys a whole involvement of distorted personality and inveterate crime. Mr. Huston’s ‘The Maltese Falcon,’ which brought him to the fore as a sure and incisive director, had nothing in the way of toughness on this film.”

John Huston is one of the giants of American cinema history. A director, screenwriter and occasional actor, his resume includes “The Maltese Falcon,” “Key Largo,” “The African Queen,” “The Man Who Would Be King” and “John Huston’s The Dead.” He was nominated for 15 Academy Awards and won twice (for direction and screenwriting for “The Treasure of the Sierra Madre”).

UPCOMING EVENTS:

• Saturday, Nov. 5. AMERICANA: MATT WHEELER, GOODNIGHT BLUE MOON DUO, JON SCHLESINGER

• Sunday, Nov. 6. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE ASPHALT JUNGLE”

• Wednesday, Nov. 9. NORDIC/CELTIC FOLK MUSIC DUO: WKFORS & MOSSMAN

• Thursday, Nov. 10. BEST VIDEO FILM & CULTURAL CENTER GALA FIRST ANNIVERSARY BENEFIT (at The Ballroom at The Outer Space)

• Friday, Nov. 11. SINGER-SONGWRITERS: FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Wednesday, Nov. 16. IMPROVISATION/AVANT-GARDE: TOM BLANCHART, CHRIS CRETELLA, ZACH ROWDEN

• Thursday, Nov. 17. LITERARY READING: ALICE MATTISON

• Friday, Nov. 18. PARTY PUNK: TINY BOX BOOKING presents POSTURE & THE GRIZZLY, PRINCE DADDY & THE HYENA, MILKSHAKES, JUST FRIENDS (7 PM)

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE, JEFF FULLER & ED CERCONE

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN, ALEXANDER

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Wednesday, Nov. 30. JAZZ: URI SHAHAM TRIO

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH

• Friday, Dec. 2. INDIE ROCK: THE SAWTELLES CD RELEASE SHOW

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Friday, Jan. 6. ACOUSTIC FOLK BLUES & MORE: VANGE DURST

• Friday, Jan. 13. BLUEGRASS: FIVE IN THE CHAMBER

• Friday, Jan. 27. JAZZ: BADSLAX

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)

Mark Schenker continues John Huston lecture series, dissecting “The Treasure of the Sierra Madre” Sun., Oct. 30

In this fourth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of John Huston.” All four lectures will be held on Sunday afternoons at 2 PM, starting on Sunday, Oct. 23, with the exception of the final lecture. The Nov. 13 lecture on “The African Queen” will begin at 1 PM. Admission to each lecture is $7.

poster-treasure-of-the-sierra-madre_web

The second lecture of the series unearths “The Treasure of the Sierra Madre,” Huston’s 1948 adventure drama starring Humphrey Bogart. The movie was based on a book by anarchist author B. Traven.

Reviewing the film upon its release, New York Times critic Bosley Crowther wrote:

Greed, a despicable passion out of which other base ferments may spawn, is seldom treated in the movies with the frank and ironic contempt that is vividly manifested toward it in “Treasure of Sierra Madre.” And certainly the big stars of the movies are rarely exposed in such cruel light as that which is thrown on Humphrey Bogart in this new picture at the Strand. But the fact that this steel-springed outdoor drama transgresses convention in both respects is a token of the originality and maturity that you can expect of it.

View the trailer:

Oct. 30 (2 PM):   “The Treasure of the Sierra Madre”

Nov. 6 (2 PM): “The Asphalt Jungle”

Nov. 13 (1 PM start): “The African Queen”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS:

• Wednesday, Oct. 26. SINGER-SONGWRITER: NAMOLI BRENNET

• Thursday, Oct. 27. CELTIC AMERICA: THE EBIN-ROSE TRIO; SINGER-SONGWRITER:  DOUGLAS ALAN

• Friday, Oct. 28. HALLOWEEN SILENT FILM SCREENING WITH LIVE SCORE: LIGHT UPON BLIGHT PLAYS TO “NOSFERATU”

• Saturday, Oct. 29. FILM SCREENING FOR KIDS: “SPIRITED AWAY” (Sponsored by Pediatrics Plus of North Haven)

• Sunday, Oct. 30. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE TREASURE OF THE SIERRA MADRE”

• Wednesday, Nov. 2. RECEPTION TO HONOR FRANZ DOUSKEY AS HAMDEN’s FIRST POET LAUREATE

• Thursday, Nov. 3. ROCK: ROPE, THE TOMMYS

• Saturday, Nov. 5. AMERICANA: MATT WHEELER, GOODNIGHT BLUE MOON DUO, JON SCHLESINGER

• Sunday, Nov. 6. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE ASPHALT JUNGLE”

• Thursday, Nov. 10. BEST VIDEO FILM & CULTURAL CENTER GALA FIRST ANNIVERSARY BENEFIT (at The Ballroom at The Outer Space)

• Friday, Nov. 11. SINGER-SONGWRITERS: FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Wednesday, Nov. 16. IMPROVISATION/AVANT-GARDE: TOM BLANCHART, CHRIS CRETELLA< ZACH ROWDEN

• Thursday, Nov. 17. LITERARY READING: ALICE MATTISON

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE, JEFF FULLER & ED CERCONE

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN, ALEXANDER

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Friday, Jan. 13. BLUEGRASS: FIVE IN THE CHAMBER

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)

 

Prof. Mark Schenker concludes Billy Wilder lecture series with “Witness for the Prosecution” Sun., July 10

Witness-for-the-Prosecution_poster_WebIn this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” This week, Schenker concludes the four-film series by interrogating Wilder’s 1957 drama “Witness for the Prosecution,” starring Marlene Dietrich and Charles Laughton. Admission to each lecture is $7 and they begin at 2 PM. Reservations are highly recommended.

Mark has previously dissected “Double Indemnity” (1944) on June 12, “Sunset Boulevard” (1950) on June 19 and “Stalag 17” on June 26.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

In his 1958 New York Times review, Bosley Crowther wrote, “For a courtroom melodrama pegged to a single plot device—a device that, of course, everybody promises not to reveal—the Arthur Hornblow Jr. film production of the Agatha Christie play ‘Witness for the Prosecution’ comes off extraordinarily well. This results mainly from Billy Wilder’s splendid staging of some splintering courtroom scenes and a first-rate theatrical performance by Charles Laughton in the defense-attorney role.”

UPCOMING EVENTS:

• Thursday, July 7. JAZZ: MICHAELA COPPOLA & AMANDA BELLITTO

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA, REBECCA KESSLER OF VIOLENT MAE (SOLO)

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Monday, July 11. FILM SCREENING: “REMEMBER”

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Monday, July 18. FILM SCREENING: “LIFEBOAT”

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Thursday, July 21. JAZZ: BRETT BOTTOMLEY

• Friday, July 22. FOLK: HOMEMADE JAM

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Monday, July 25. FILM SCREENING: “ACE IN THE HOLE”

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Monday, Aug. 1. FILM SCREENING: “THE TRAIN”

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Thursday, Aug. 4. ECLECTIC ACOUSTIC: THE NAMELESS TRIO

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND

• Monday, Aug. 8. FILM SCREENING: “MAGNIFICENT OBSESSION”

• Wednesday, Aug. 10. BLUEGRASS: EAST ROCK RAMBLERS

• Thursday, Aug. 11. INDIE ROCK: ZOO FRONT

• Wednesday, Aug. 17. SINGER-SONGWRITER POP: THE SHELLYE VALAUSKAS EXPERIENCE, TINY OCEAN

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Sunday, Sept. 25. SURJ FILM SCREENING: “RACE: THE POWER OF AN ILLUSION”

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

Prof. Mark Schenker discusses Billy Wilder’s 1953 film “Stalag 17” on Sun., June 25, at 2 PM

In this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” This week, Schenker focuses on “Stalag 17,” starring William Holden. Admission to each lecture is $7 and they begin at 2 PM.

Reservations are highly recommended.

stalag-17_Web

Mark has previously dissected “Double Indemnity” (1944) on June 12 and “Sunset Boulevard” (1950) on June 19. He will interrogate “Witness for the Prosecution” (1957) on July 10.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Writing in The New York Times in 1953, critic Bosley Crowther opined:

A cracker jack movie entertainment has been made from “Stalag 17,” the play by Donald Bevan and Edmund Trzcinski that scored on Broadway two years ago. Produced and directed by Billy Wilder for the greater glory of Paramount and played by an all-male cast of experts, sparked by William Holden, Harvey Lembeck and Robert Strauss, this film version of the comedy-drama of American airmen in a German prison camp becomes a humorous, suspenseful, disturbing and rousing pastime on the Astor’s screen.

UPCOMING EVENTS:

• Wednesday, June 22. SURF MUSIC: THE CLAMS

• Thursday, June 23. INDIE FOLK: JACKET THOR, CAT THUMBS, PALE MOON PALE WITCH

• Friday, June 24. SOLO GUITAR: GLENN ROTH, ALT-COUNTRY: LINES WEST

• Sunday, June 26. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“STALAG 17”)

• Monday, June 27. BEER CLASS WITH MAX FINNANCE OF SIXPOINT BREWING; MUSIC: STEVE RODGERS

• Tuesday, June 28. “THE NUTS AND BOLTS OF MAKING A MOVIE”—A FILMMAKING WORKSHOP FOR HIGH SCHOOL STUDENTS

• Wednesday, June 29. JAZZ: JEFF FULLER & FRIENDS CD RELEASE SHOW

• Thursday, June 30. SINGER-SONGWRITER: QUINN HARLEY, LILIANA MALDONADO

• Friday, July 1. POST-PUNK: TELEGRAM SCAM, SPECTRAL FANGS

• Sunday, July 3. FREE AFTERNOON BLUEGRASS JAM

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA, REBECCA KESSLER OF VIOLENT MAE (SOLO)

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Monday, July 11. FILM SCREENING: “REMEMBER”

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Monday, July 18. FILM SCREENING: “LIFEBOAT”

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Thursday, July 21. JAZZ: BRETT BOTTOMLEY

• Friday, July 22. FOLK: HOMEMADE JAM

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Monday, July 25. FILM SCREENING: “ACE IN THE HOLE”

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Monday, Aug. 1. FILM SCREENING: “THE TRAIN”

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Thursday, Aug. 4. ECLECTIC ACOUSTIC: THE NAMELESS TRIO

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND, EARTHLINGS

• Monday, Aug. 8. FILM SCREENING: “MAGNIFICENT OBSESSION”

• Wednesday, Aug. 17. SINGER-SONGWRITER POP: THE SHELLYE VALAUSKAS EXPERIENCE, TINY OCEAN

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Sunday, Sept. 25. SURJ FILM SCREENING: “RACE: THE POWER OF AN ILLUSION”

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

 

Mark Schenker deconstructs Billy Wilder’s “Sunset Boulevard” Sun., 6/19, at 2 PM

Sunset Boulevard_04_WebIn this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” This week, Schenker will deconstruct Wilder’s classic “Sunset Boulevard,” starring Gloria Swanson and William Holden. Admission to each lecture is $7 and they begin at 2 PM.

Reservations are highly recommended.

Mark will be discussing four Wilder films: “Double Indemnity” (1944) on June 12, “Sunset Boulevard” (1950) on June 19, “Stalag 17” (1953) on June 26, and “Witness for the Prosecution” (1957) on July 10.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Writing in The New York Times in 1950, Thomas Pryor declared:

Sunset Boulevard is by no means a rounded story of Hollywood, past or present. But it is such a clever compound of truth and legend—and is so richly redolent of the past, yet so contemporaneous—that it seemingly speaks with great authority. Sunset Boulevard is that rare blend of pungent writing, expert acting, masterly direction, and unobtrusively artistic photography which quickly casts a spell over an audience and holds it enthralled to a shattering climax.

UPCOMING EVENTS:

• Friday, June 17. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Sunday, June 19. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“SUNSET BOULEVARD”)

• Wednesday, June 22. SURF MUSIC: THE CLAMS

• Thursday, June 23. INDIE FOLK: JACKET THOR, CAT THUMBS, PALE MOON PALE WITCH

• Friday, June 24. SOLO GUITAR: GLENN ROTH, ALT-COUNTRY: LINES WEST

• Sunday, June 26. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“STALAG 17”)

• Monday, June 27. BEER CLASS WITH MAX FINNANCE OF SIXPOINT BREWING; MUSIC: STEVE RODGERS

• Tuesday, June 28. “THE NUTS AND BOLTS OF MAKING A MOVIE”—A FILMMAKING WORKSHOP FOR HIGH SCHOOL STUDENTS

• Wednesday, June 29. JAZZ: JEFF FULLER & FRIENDS CD RELEASE SHOW

• Thursday, June 30. SINGER-SONGWRITER: QUINN HARLEY, LILIANA MALDONADO

• Friday, July 1. POST-PUNK: TELEGRAM SCAM, SPECTRAL FANGS

• Sunday, July 3. FREE AFTERNOON BLUEGRASS JAM

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA, REBECCA KESSLER OF VIOLENT MAE (SOLO)

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Monday, July 11. FILM SCREENING: “REMEMBER”

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Monday, July 18. FILM SCREENING: “LIFEBOAT”

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Thursday, July 21. JAZZ: BRETT BOTTOMLEY

• Friday, July 22. FOLK: HOMEMADE JAM

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Monday, July 25. FILM SCREENING: “ACE IN THE HOLE”

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Monday, Aug. 1. FILM SCREENING: “THE TRAIN”

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Thursday, Aug. 4. ECLECTIC ACOUSTIC: THE NAMELESS TRIO

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND, EARTHLINGS

• Monday, Aug. 8. FILM SCREENING: “MAGNIFICENT OBSESSION”

• Wednesday, Aug. 17. SINGER-SONGWRITER POP: THE SHELLYE VALAUSKAS EXPERIENCE, TINY OCEAN

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Sunday, Sept. 25. SURJ FILM SCREENING: “RACE: THE POWER OF AN ILLUSION”

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

 

New Mark Schenker lecture series focusing on the films of Stanley Kubrick starts Sun., Nov. 29; reservations strongly suggested

Stanley_Kubrick_WebIn this second installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Stanley Kubrick.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, Nov. 29. Admission to each lecture is $7.

Reservations are highly recommended.

Kubrick (1928-1999) was, like Alfred Hitchcock — the subject of Mark Schenker’s first series here at Best Video — one of the world’s greatest filmmakers. And he provides a nice counterbalance to the older director in that Hitchcock was born in England and emigrated to America to continue his movie-making, while Kubrick was born in the U.S. and moved permanently to England in 1962, going on to write and direct more seven films after leaving Hollywood.

Mark will be discussing four Kubrick films, a pair from each side of that divide: The Killing (1956);  Paths of Glory (1957);  Dr. Strangelove (1964), and Barry Lyndon (1975).

Nov. 29: “The Killing”

Dec. 6:   “Paths of Glory”

Dec. 13: “Dr. Strangelove”

Dec. 20: “Barry Lyndon”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS:

• Wednesday, Nov. 18. FILM SCREENING: THE MANCHURIAN CANDIDATE (1962)

• Thursday, Nov. 19. DARK FOLK: ELISA FLYNN; SOUL PUNK: AN HISTORIC

• Friday, Nov. 20. SINGER-SONGWRITER: SABRINA TRUEHEART

• Sunday, Nov. 22. FILM SCREENING/BLACK LIVES MATTER BENEFIT: “ANNE BRADEN: SOUTHERN PATRIOT”

• Friday, Nov. 27. ACOUSTIC ROCK: THE BIRDMEN

• Sunday, Nov. 29. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“THE KILLING”)

• Wednesday, Dec. 2. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Thursday, Dec. 3. ELECTRONIC: AVMUS

• Friday, Dec. 4. CLASSICAL: RAVENNA MICHALSEN & BETHANY WILDER

• Sunday, Dec. 6. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“PATHS OF GLORY”)

• Wednesday, Dec. 9. JAZZ: THE THELONIOUS MONK PROJECT BAND

• Thursday, Dec. 10. BLUES/FOLK/COUNTRY: CODA BLUE

• Friday, Dec. 11. INDIE POP: THE SHELLYE VALAUSKAS EXPERIENCE

• Sunday, Dec. 13. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“DR. STRANGELOVE”)

• Wednesday, Dec. 16. SINGER-SONGWRITER: BRIAN DOLZANI

• Friday, Dec. 18. PSYCHO-FOLK: MILKSOP: UNSUNG

• Sunday, Dec. 20. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“BARRY LYNDON”)