Film series “Contemporary Classics of International Cinema” journeys to Japan Tues., May 17, for “Shoplifters,” presented by Aaron Gerow

Love watching the movies you rent from Best Video but want to go deeper? The discussions we’ve been having after our screenings will enrich your appreciation of cinema. Plus, they’re fun!

Best Video Film & Cultural Center has continued its film screening renaissance in May with a four-film series “Contemporary Classics of International Cinema.”

The first and second films in the series, “Two Days, One Night” (Belgium) and “Timbuktu” (Mauritania), screened on May 3 and 10, respectively. The series will showcase acclaimed movies from Japan and Iran, all released within the past decade, over the next two Tuesdays. Each film will be presented by—and feature a post-film discussion led by—a faculty member of the Yale University Film & Media Studies department. Each screening starts at 7 PM and admission to each is $7.

The remaining two films are:

Tues., May 17: “Shoplifters” (2018, Japan, dir. by Kore-eda Hirokazu, presented by Aaron Gerow)

Tues., Apr. 24: “The Salesman” (2016, Iran, dir. by Asghar Farhadi, presented by Farbod Honarpisheh)

Support for this series has been provided to Best Video Film & Cultural Center from CT Humanities (CTH), with funding provided by the Connecticut State Department of Economic and Community Development/Connecticut Office of the Arts (COA) from the Connecticut State Legislature.

“Shoplifters,” directed by Kore-eda Hirokazu, is a family drama that delves deep on themes of poverty and connection. New York Times critic Manohla Dargis wrote, “Kore-eda’s great subject is the contemporary family, a topic that gives him an immensity of themes, including loss, love, class, alienation in the modern world and just about everything else.” It was nominated for a Best Foreign Language Film at the 91st Academy Awards.

Aaron Gerow will introduce “Shoplifters” and moderate the post-film discussion. Gerow is Professor of East Asian cinema and culture at Yale University and has published widely on variety of topics in Japanese film and popular culture. His books include “Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925” (2010); “A Page of Madness: Cinema and Modernity in 1920s Japan” (2008); and “Kitano Takeshi” (2007). He also runs his own Japanese film website Tangemania (

As an indoor event, proof of vaccination and masks are required.

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