New releases 4/2/19

Top Hits
Vice (Dick Cheney bio-pic, Christian Bale. Rotten Tomatoes: 66%. Metacritic: 61. From A.O. Scott’s New York Times review: “It will break no news and spoil nobody’s fun to note that [director Adam] McKay is not a fan of his protagonist. His argument is essentially that much of what critics of the current president fear most — the erosion of democratic norms; the manufacture of ‘alternative facts’; the rise of an authoritarian executive branch — already came to pass when George W. Bush was in office. But ‘Vice”’offers more than Yuletide rage-bait for liberal moviegoers, who already have plenty to be mad about. Revulsion and admiration lie as close together as the red and white stripes on the American flag, and if this is in some respects a real-life monster movie, it’s one that takes a lively and at times surprisingly sympathetic interest in its chosen demon.” Read more…)

The Mule (drama, Clint Eastwood. Rotten Tomatoes: 70%. Metacritic: 58. From Manohla Dargis’ New York Times review: “‘The Mule’ was inspired by a startling 2014 article in The New York Times Magazine by Sam Dolnick, ‘There’s a True Story Behind “The Mule”: The Sinaloa Cartel’s 90-Year-Old Drug Mule.’ The mule was Leo Sharp, a World War II veteran and great-grandfather who came across in news accounts as an unsolved puzzle. Working from Nick Schenk’s script, [director/star Clint] Eastwood fills in the portrait of his mule with creative license, characteristic dry humor and a looseness that seems almost completely untethered from the world of murderous cartels. There’s also some political editorializing and a flirtation with Eastwoodian autocritique.” Read more…)

BumbleBee (family action/adventure, Hailee Steinfeld. Rotten Tomatoes: 93%. Metacritic: 66. A New York Times Critic’s Pick. From Glenn Kenny’s Times review: “Can a ‘Transformers’ movie be good? It turns out the answer is yes — if the right talent is given enough leeway. The latest, ‘Bumblebee,’ is the sixth in the franchise. As directed by Travis Knight, an animator who made his directorial debut with the striking 2016 animated film ‘Kubo and the Two Strings,’ ‘Bumblebee’ is cleverly plotted, neatly allusive and has dialogue you can envision real people and, um, real Transformers speaking.” Read more…)

Mortal Engines (adventure, Hera Hilmar. Rotten Tomatoes: 27%. Metacritic: 44. From Ben Kenigsberg’s New York Times review: “But the guiding model for the plot — rebel alliances, secret family histories, London as a terrestrial Death Star — is almost certainly ‘Star Wars,’ whose knockoffs are so numerous that it seems useless to dock points for effort. As these things go, ‘Mortal Engines’ offers a fair amount of fun.” Read more…)

The Man Who Killed Hitler and Then the Bigfoot (action/absurdity, Sam Elliott. Rotten Tomatoes: 75%. Metacritic: 50. From Ben Kenigsberg’s New York Times review: “‘The Man Who Killed Hitler and Then the Bigfoot’ revives an exploitation film tradition, in which a sensational title hooks viewers for a movie that’s all windup and no pitch. The writer and director, Robert D. Krzykowski, even appears to have leaned into the concept, turning false advertising into a motif. The man [Sam Elliott], hunting for the Bigfoot, drawls that his average-footed prey is ‘not really living up to its name.'” Read more…)

New Blu-Ray
Vice
The Mule
BumbleBee
Mortal Engines

New Foreign DVDs
Capernaum (Lebanon, Oscar-nominated drama, Zain al Raffea. Rotten Tomatoes: 89%. Metacritic: 75. A New York Times Critic’s Pick. From A.O. Scott’s Times review: “‘Capernaum,’ Nadine Labaki’s hectic and heartbreaking new film, borrows its name from an ancient city condemned to hell, according to the Book of Matthew, by Jesus himself. The word has since become a synonym for chaos, and modern Beirut as captured by Ms. Labaki’s camera is a teeming vision of the inferno, a place without peace, mercy or order.” Read more…)

The Mafia Kills Only in Summer (Italy, dark comedy/drama, Pierfrancesco Diliberto. Rotten Tomatoes: 63%. Metacritic: 62. From Jeannette Catsoulis’ New York Times review: “The best that can be said for the Italian television host Pierfrancesco Diliberto — as far as his comic, feature-film debut is concerned — is that he’s not nearly as annoying as Roberto Benigni. Granted, that’s a very low bar to clear. But as the director, star, narrator and one writer of ‘The Mafia Kills Only in Summer,’ Mr. Diliberto (known as Pif) must bear most of the responsibility for the movie’s clashing tones and penciled-in characters.” Read more…)

Antonio Gaudí (Japan, 1984, documentary/architecture/visual poem. Rotten Tomatoes: 100%. From Stephen Holden’s 1998 New York Times review [requires log-in]: “If any film could be described as an architectural symphony, it is Hiroshi Teshigahara’s 1984 movie, ‘Antonio Gaudi.’ The film, which begins a one-week engagement today at the Walter Reade Theater, takes a sweeping look at the revolutionary Spanish Art Nouveau architect’s work, which is centered in Barcelona. Using few spoken words and relying mostly on sketchy biographical subtitles to tell Gaudi’s story, the film is a visual rhapsody enhanced with music and sound effects created by the renowned Japanese film composer Toru Takemitsu and two collaborators.” Read more…)

New American Back Catalog DVDs (post-1960)
I Wanna Hold Your Hand (1978, comedy, Criterion Collection, Nancy Allen. Rotten Tomatoes: 86%. From Janet Maslin’s 1978 New York Times review [requires log-in]: “The gimmick behind ‘I Wanna Hold Your Hand’ is the fact that you never actually see the Beatles; the genius of the film is the fact that you never miss them. Their likenesses turn up everywhere, plastered on record jackets and tacked on doors and walls, and their music is continually in the air. At the end of the movie, which revolves around the group’s first appearance on ‘The Ed Sullivan Show,’ the sneakiness with which the neophyte director Robert Zemeckis skirts the issue is positively dazzling. The Beatles are both there and not there, and the paradox hardly even matters.” Read more…)

Flirt (1995, Hal Hartley romance, Martin Donovan. Rotten Tomatoes: 80%. From Stephen Holden’s 1995 New York Times review [requires log-in]: “You might describe ‘Flirt,’ Hal Hartley’s smart, sexy, wafer-light new movie, as a jauntily romantic theme and variations on young love, international style. Hopscotching from New York to Berlin to Tokyo, the film flaunts the perilously cute concept of telling the same story in three different places with three sets of characters speaking three different languages. Watching the movie is like eating ice cream — or is it ice milk? — in three different flavors: vanilla, chocolate and green tea. They go together nicely.” Read more…)

New British DVDs
The Bletchley Circle: San Francisco (BBC mystery series transplanted to San Francisco. Rotten Tomatoes: 25%.)

New Documentaries
Jane Fonda In Five Acts (bio, history, Jane Fonda. Rotten Tomatoes: 96%. Metacritic: 87.)

New Music DVDs
Joni 75: A Birthday Celebration (concert, tribute to Joni Mitchell with multiple artists)

New Children’s DVDs
A Silent Voice: The Movie (Japanese animated feature. Rotten Tomatoes: 94%. Metacritic: 78. From Peter Bradshaw’s The Guardian review: “Naoko Yamada’s animation A Silent Voice is a lovely coming-of-age story, a tale of redemption and romance, based on a manga series by 27-year-old Yoshitoki Ōima. It’s enriched by a plangent musical score and moody ambient sound design. The original title is Koe No Katachi, translated in the opening and closing credits as “The Shape of Voice”, which comes mysteriously closer to the film’s meaning.” Read more…)

Tom & Jerry Triple Feature