Mark Schenker’s “How to Read a Film” series on film noir masterpieces concludes Sun., July 14, with 1984’s “Blood Simple,” the debut Coen Brothers film

In this eighth installment of his series “How to Read A Film,” Mark Schenker, Dean of Academic Affairs of Yale College, has been presenting four lectures on “A Half-Century of Film Noir Masterpieces.” The lectures have been held on consecutive Sunday afternoons at 2 PM, starting on Sunday, June 23. Admission to each lecture is $7. The series concludes Sunday, June 14, with a focus on the 1984 debut film by the Coen Brothers, “Blood Simple.”

“A Half-Century of Film Noir Masterpieces” has featured works by four directors who are new to Mark Schenker’s presentations at Best. In movies that range from the early talkie “M” by German director Fritz Lang (explored June 23) through two Hollywood films of the classic noir period of the 1940’s-50’s, through the neo-noir of the Coen Brothers’ “Blood Simple,” the series covers more than a half-century of noir and showcases the acting talents (in addition to the 26-year-old Lorre in the afore-mentioned “M”) of Dick Powell, Claire Trevor, Humphrey Bogart, Gloria Grahame, Frances McDormand and the great character actor M. Emmet Walsh.

From Janet Maslin’s 1984 review of “Blood Simple” in The New York Times:

Black humor, abundant originality and a brilliant visual style make Joel Coen’s ”Blood Simple” a directorial debut of extraordinary promise. Mr. Coen, who co-wrote the film with his brother Ethan, works in a film noir style that in no way inhibits his wit, which turns out to be considerable. This is a film in which a dying man, mistakenly shot by a woman who cannot see him (and who meant to kill someone else), can hear her shout one more insult at the intended victim – and answer her, ”Well, ma’am, if I see him I’ll sure give him the message.”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder (among others) and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Click here for the complete list of upcoming events.

Mark Schenker’s “How to Read a Film” series on film noir masterpieces continues Sun., July 7, with 1950 “In A Lonely Place,” featuring brilliant Humphrey Bogart

In this eighth installment of his series “How to Read A Film,” Mark Schenker, Dean of Academic Affairs of Yale College, presents four lectures on “A Half-Century of Film Noir Masterpieces.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, June 23. Admission to each lecture is $7. The third film examined in this series will be “In a Lonely Place” on Sunday, July 7.

“A Half-Century of Film Noir Masterpieces” features works by four directors who are new to his presentations at Best. In movies that range from the early talkie “M” by German director Fritz Lang (explored June 23) through two Hollywood films of the classic noir period of the 1940’s-50’s, through the neo-noir of the Coen Brothers’ “Blood Simple,” the series covers more than a half-century of noir and showcases the acting talents (in addition to the 26-year-old Lorre in the afore-mentioned “M”) of Dick Powell, Claire Trevor, Humphrey Bogart, Gloria Grahame, Frances McDormand and the great character actor M. Emmet Walsh.

From Bosley Crowther’s 1950 New York Times review:

Everybody should be happy this morning. Humphrey Bogart is in top form in his latest independently made production, ‘In a Lonely Place,’ and the picture itself is a superior cut of melodrama. Playing a violent, quick-tempered Hollywood movie writer suspected of murder, Mr. Bogart looms large on the screen of the Paramount Theatre and he moves flawlessly through a script which is almost as flinty as the actor himself.

For critic Roger Ebert, “In A Lonely Place” is a “Great Movie.” Writing in 2009, Ebert observed:

If there is one key element of film noir, it is the flawed hero. That, usually joined with a distinctive visual style and tone, defines the genre. The hero is sympathetic but weak, often haunted by mistakes in the past or fatally tempted by greed or lust. He is likely to discover himself capable of evil he had never dreamed of, and is consumed by guilt and fear.

Bogart embodies this noir quality flawlessly in “In a Lonely Place.”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder (among others) and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Click here for the complete list of upcoming events.

Mark Schenker’s “How to Read a Film” series on film noir masterpieces continues Sun., June 30, with 1944 “Murder, My Sweet”

In this eighth installment of his series “How to Read A Film,” Mark Schenker, Dean of Academic Affairs of Yale College, presents four lectures on “A Half-Century of Film Noir Masterpieces.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, June 23. Admission to each lecture is $7. The second film examined in this series will be “Murder, My Sweet” on Sunday, June 30.

This installment of Schenker’s “How to Read a Film” series, features works by four directors who are new to his presentations at Best. In movies that range from the early talkie “M” by German director Fritz Lang (explored June 23) through two Hollywood films of the classic noir period of the 1940’s-50’s, through the neo-noir of the Coen Brothers’ “Blood Simple,” the series covers more than a half-century of noir and showcases the acting talents (in addition to the 26-year-old Lorre in the afore-mentioned “M”) of Dick Powell, Claire Trevor, Humphrey Bogart, Gloria Grahame, Frances McDormand and the great character actor M. Emmet Walsh.

From Bosley Crowther’s 1945 New York Times review:

Check off “Murder, My Sweet” as a sure cure for low blood pressure. This is the story of a private detective who would take a dollar from anyone, with no questions asked. Phillip Marlowe is just a shade above his clients, who might be politely called questionable characters. He is not a particularly shrewd operator as Dick Powell draws him, but he has a persistence and capacity for taking a beating that is downright admirable. This is a new type of character for Mr. Powell. And while he may lack the steely coldness and cynicism of a Humphrey Bogart, Mr. Powell need not offer any apologies. He has definitely stepped out of the song-and-dance, pretty-boy league with this performance.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder (among others) and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Remaining schedule:

Sun., June 30: “Murder, My Sweet” (1944)
Sun., July 7: “In a Lonely Place” (1950)
Sun., June 14: “Blood Simple” (1984)

Click here for the complete list of upcoming events.

 

Lecture on film: Prof. Mark Schenker concludes series on Howard Hawks with “Rio Bravo” Sun., July 30, at 2 PM

In this fifth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Howard Hawks.” The series began on Sunday, July 9, and concludes this Sunday, July 30, at 2 PM with a discussion of Howard Hawks’ 1959 film “Rio Bravo,” which starred John Wayne. Admission is $7.

Reservations are highly recommended.

Hawks’ filmography spans the decades—from “The Road to Glory” (1926) through “Rio Lobo” (1970)—and spans genres, from screwball comedy through sci-fi, western, war films and more. Hawks was nominated for a Best Director Oscar in 1942 for “Sergeant York” and received an Honorary Academy Award in 1975 as a “a master American filmmaker whose creative efforts hold a distinguished place in world cinema.”

The late film critic Roger Ebert hailed “Rio Bravo”:

To watch “Rio Bravo” is to see a master craftsman at work. The film is seamless. There is not a shot that is wrong. It is uncommonly absorbing, and the 141-minute running time flows past like running water. It contains one of John Wayne’s best performances. It has surprisingly warm romantic chemistry between Wayne and Angie Dickinson. Dean Martin is touching. Ricky Nelson, then a rival of Elvis’ and with a pompadour that would have been laughed out of the Old West, improbably works in the role of a kid gunslinger. Old Walter Brennan, as the peg-legged deputy, provides comic support that never oversteps.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted; screenings start at 7 PM unless otherwise noted):

• Wednesday, July 26. MUSIC FROM “THE SIMPSONS”: DR. CATERWAUL’S CADRES OF CLAIRVOYANT CLAPTRAPS with SPECIAL GUESTS

• Thursday, July 27. INDIE SINGER-SONGWRITER: DANIELLE CAPALBO (of QUIET GIANT), SEAN HAROLD (of THE MID SEASON)

• Friday, July 28. WORLD MUSIC: NEELA

• Sunday, July 30, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “RIO BRAVO” (1959)

• Wednesday, Aug. 2. JAZZ: BADSLAX

• Thursday, Aug. 3, 7:30 PM. WOMEN’S FILM SCREENING: “THE MILKY WAY”—HOSTED BY THE JCC OF GREATER NEW HAVEN FOR WORLD BREASTFEEDING WEEK (FREE)

• Friday, Aug. 4, 7:30 PM. BLUEGRASS: HONEY DEWDROPS (GUITARTOWNCT PRODUCTIONS)

• Sunday, Aug. 6, 11-3 PM. ART SALE—ORIGINAL PRINTS

• Wednesday, Aug. 9. EXPERIMENTAL: HUMAN FLOURISHING, DAVE SCANLON, UNDERWEAR

• Thursday, Aug. 10. ALT-COUNTRY: PLYWOOD COWBOY

• Friday, Aug. 11. INDIE ROCK: LYS GUILLORN & HER BAND, ELISA FLYNN

• Sunday, Aug. 13, 2-5 PM. GUITARTOWNCT FREE SUNDAY AFTERNOON BLUEGRASS JAM

• Wednesday, Aug. 16. INDIE ROCK: FURNSSS, TRASH CAN

• Thursday, Aug. 17. STEEL DRUM MUSIC: MIMOSA

• Fridy, Aug. 18. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: ALLEN LOWE & FAKE MUSIC ENSEMBLE with SPECIAL GUESTS

• Saturday, Aug. 19. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: AN HISTORIC; ROSEMARY MINKLER TRIO; BRIAN JARAWA GRAY

• Wednesday, Aug. 23. INDIE ROCK: ROZ & THE RICE CAKES, TEENAGE HALLOWEEN (A TINY BOX BOOKING SHOW)

• Thursday, Aug. 24. ROCK/JAZZ/SOUL: JOE STEIN; INDIE ROCK: ALEX MCGUIRE

• Friday, Aug. 25. POP ROCK: OBERON ROSE

• Tuesday, Aug. 29. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Thursday, Aug. 31. INDIE ROCK: DISCO TEEN ’66

• Friday, Sept. 8. INDIE ROCK: THE SAWTELLES

Thursday, Sept. 14. ACOUSTIC SOUL: CHRISSY GARDNER & ROBERT MESSORE

• Friday, Sept. 15, 7:30 PM. BLUEGRASS: ROB ICKES & TREY HENSLEY (GUITARTOWNCT PRODUCTIONS)

• Saturday, Sept. 16, 8 PM. EXPERIMENTAL/DRONE: GARDENER, LANDING

• Wednesday, Sept. 20. BLUEGRASS: BAIT AND SWITCH

• Friday, Sept. 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Friday, Sept. 29. FOLK: FLINT LADDER

• Saturday, Sept. 30. SINGER-SONGWRITER: JOHN GORKA (ODDBALL PRODUCTIONS)

• Friday, Oct. 6. INDIE ROCK/SINGER-SONGWRITER: THE SHELLYE VALAUSKAS EXPERIENCE

• Friday, Oct. 13. FLASH FICTION: PAUL BECKMAN

• Friday, Oct. 20. BLUEGRASS: MISSY RAINES & THE NEW HIP (GUITARTOWNCT PRODUCTIONS)

• Saturday, Oct. 28. LIGHT UPON BLIGHT HALLOWEEN SHOW

• Saturday, Nov. 4. SOLO MODERN PRIMITIVE GUITAR: SHAWN PERSINGER

• Thursday, Nov. 16, 7 PM. BLUEGRASS: TIM O’BRIEN (SOLD OUT!)

• Friday, Mar. 16. BLUEGRASS: ZOE & CLOYD (A GUITARTOWNCT CONCERT)

Lecture on film: Prof. Mark Schenker continues series on Howard Hawks with “The Big Sleep” Sun., July 23, at 2 PM

In this fifth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Howard Hawks.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, July 9. Admission to each lecture is $7.

Reservations are highly recommended.

In the third installment, Schenker deconstructs Hawks’ knotty 1946 film noir “The Big Sleep”—based on the Raymond Chandler novel—this Sunday, July 23, at 2 PM.

Hawks’ filmography spans the decades—from “The Road to Glory” (1926) through “Rio Lobo” (1970)—and spans genres, from screwball comedy through sci-fi, western, war films and more. Hawks was nominated for a Best Director Oscar in 1942 for “Sergeant York” and received an Honorary Academy Award in 1975 as a “a master American filmmaker whose creative efforts hold a distinguished place in world cinema.”

Roger Ebert hailed Hawks shortly after the director’s death in 1977:

Hawks never consciously aimed for art in his films, and was perhaps quietly amazed that people found it there. But they did. He was never as well known with the public as some of his contemporaries, like Hitchcock and DeMille and Ford. But if you loved movies, you lost a friend the other day. Hawks directed some of the greatest entertainments ever made, and fundamentally shaped the way we perceive many of the great stars.

This series affords Prof. Schenker the opportunity to not only delve into Hawks’ directorial style but also to tease out the various genre conventions the director played with. As with his previous lecture series, Schenker will explore highlights of Hawks’ filmography chronologically, starting with the 1932 gangster classic “Scarface.” The 1940 screwball comedy “His Girl Friday,” starring Cary Grant and Rosalind Russell, is the topic on July 16. The film noir “The Big Sleep,” based on the Raymond Chandler novel and starring Humphrey Bogart, is the focus on July 23 and discussion of the western “Rio Bravo” concludes the series on July 30.

“The Big Sleep” has a reputation as one of the most inscrutable classic movies. Based on a Chandler novel that was itself both a tour-de-force and a puzzling head scratcher, the film was greeted by New York Times critic Bosley Crowther with the complaint, “For ‘The Big Sleep’ is one of those pictures in which so many cryptic things occur amid so much involved and devious plotting that the mind becomes utterly confused.”

But 50 years later, Roger Ebert hailed the movie despite—or perhaps because of—its perceived imperfections:

It is one of the great film noirs, a black-and-white symphony that exactly reproduces Chandler’s ability, on the page, to find a tone of voice that keeps its distance, and yet is wry and humorous and cares. Working from Chandler’s original words and adding spins of their own, the writers (William Faulkner, Jules Furthman and Leigh Brackett)  wrote one of the most quotable of screenplays: It’s unusual to find yourself laughing in a movie not because something is funny but because it’s so wickedly clever. (Marlowe on the “nymphy” kid sister: “She tried to sit in my lap while I was standing up.”) Unlike modern crime movies which are loaded with action, “The Big Sleep” is heavy with dialogue–the characters talk and talk, just like in the Chandler novels; it’s as if there’s a competition to see who has the most verbal style.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining. Schenker’s insights should be particularly trenchant when it comes to the classic “The Big Sleep.”

UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted; screenings start at 7 PM unless otherwise noted):

• Wednesday, July 19. BRAZILIAN MUSIC: SAMBELEZA

• Thursday, July 20, 5:30 PM. WINE TASTING WITH BOB FEINN OF MT. CARMEL WINE & SPIRITS

• Friday, July 21. SOLO GUITAR: GLENN ROTH; SINGER-SONGWRITER: DANA MERRITT

• Saturday, July 22, 7 PM. GARAGE ROCK: DELICATE FLOWERS, DISCO TEEN ’66; FUNK ROCK: NEW AMSTERDAM NOBLES (A CAPITALH BOOKING SHOW)

• Sunday, July 23, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “THE BIG SLEEP” (1946)

• Wednesday, July 26. MUSIC FROM “THE SIMPSONS”: DR. CATERWAUL’S CADRES OF CLAIRVOYANT CLAPTRAPS with SPECIAL GUESTS

• Thursday, July 27. INDIE SINGER-SONGWRITER: DANIELLE CAPALBO (of QUIET GIANT), SEAN HAROLD (of THE MID SEASON)

• Friday, July 28. WORLD MUSIC: NEELA

• Sunday, July 30, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “RIO BRAVO” (1959)

• Wednesday, Aug. 2. JAZZ: BADSLAX

• Thursday, Aug. 3, 7:30 PM. WOMEN’S FILM SCREENING: “THE MILKY WAY”—HOSTED BY THE JCC OF GREATER NEW HAVEN FOR WORLD BREASTFEEDING WEEK (FREE)

• Friday, Aug. 4, 7:30 PM. BLUEGRASS: HONEY DEWDROPS (GUITARTOWNCT PRODUCTIONS)

• Sunday, Aug. 6, 2-5 PM. GUITARTOWNCT FREE SUNDAY AFTERNOON BLUEGRASS JAM

• Wednesday, Aug. 9. EXPERIMENTAL: HUMAN FLOURISHING, DAVE SCANLON, UNDERWEAR

• Thursday, Aug. 10. ALT-COUNTRY: PLYWOOD COWBOY

• Friday, Aug. 11. INDIE ROCK: LYS GUILLORN & HER BAND, ELISA FLYNN

• Wednesday, Aug. 16. INDIE ROCK: FURNSSS, TRASH CAN

• Thursday, Aug. 17. STEEL DRUM MUSIC: MIMOSA

• Fridy, Aug. 18. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: ALLEN LOWE & FAKE MUSIC ENSEMBLE with SPECIAL GUESTS

• Saturday, Aug. 19. DEEP HAMDEN—A JAZZ MINI-FESTIVAL: AN HISTORIC; ROSEMARY MINKLER TRIO; BRIAN JARAWA GRAY

• Wednesday, Aug. 23. INDIE ROCK: ROZ & THE RICE CAKES, TEENAGE HALLOWEEN (A TINY BOX BOOKING SHOW)

• Thursday, Aug. 24. ROCK/JAZZ/SOUL: JOE STEIN; INDIE ROCK: ALEX MCGUIRE

• Friday, Aug. 25. POP ROCK: OBERON ROSE

• Tuesday, Aug. 29. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Thursday, Aug. 31. INDIE ROCK: DISCO TEEN ’66

• Friday, Sept. 8. INDIE ROCK: THE SAWTELLES

Thursday, Sept. 14. ACOUSTIC SOUL: CHRISSY GARDNER & ROBERT MESSORE

• Friday, Sept. 15, 7:30 PM. BLUEGRASS: ROB ICKES & TREY HENSLEY (GUITARTOWNCT PRODUCTIONS)

• Saturday, Sept. 16, 8 PM. EXPERIMENTAL/DRONE: GARDENER, LANDING

• Wednesday, Sept. 20. BLUEGRASS: BAIT AND SWITCH

• Friday, Sept. 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Friday, Sept. 29. FOLK: FLINT LADDER

• Saturday, Sept. 30. SINGER-SONGWRITER: JOHN GORKA (ODDBALL PRODUCTIONS)

• Friday, Oct. 6. INDIE ROCK/SINGER-SONGWRITER: THE SHELLYE VALAUSKAS EXPERIENCE

• Friday, Oct. 13. FLASH FICTION: PAUL BECKMAN

• Friday, Oct. 20. BLUEGRASS: MISSY RAINES & THE NEW HIP (GUITARTOWNCT PRODUCTIONS)

• Thursday, Nov. 16, 7 PM. BLUEGRASS: TIM O’BRIEN (SOLD OUT!)

Prof. Mark Schenker returns for new lecture series starting Sun., July 9; “How to Read a Film” subject is films of Howard Hawks

In this fifth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Howard Hawks.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, July 9. Admission to each lecture is $7.

Howard Hawks on the set of “Bringing Up Baby” (1938).

Reservations are highly recommended.

Hawks’ filmography spans the decades—from “The Road to Glory” (1926) through “Rio Lobo” (1970)—and spans genres, from screwball comedy through sci-fi, western, war films and more. Hawks was nominated for a Best Director Oscar in 1942 for “Sergeant York” and received an Honorary Academy Award in 1975 as a “a master American filmmaker whose creative efforts hold a distinguished place in world cinema.”

Roger Ebert hailed Hawks shortly after the director’s death in 1977:

Hawks never consciously aimed for art in his films, and was perhaps quietly amazed that people found it there. But they did. He was never as well known with the public as some of his contemporaries, like Hitchcock and DeMille and Ford. But if you loved movies, you lost a friend the other day. Hawks directed some of the greatest entertainments ever made, and fundamentally shaped the way we perceive many of the great stars.

This series affords Prof. Schenker the opportunity to not only delve into Hawks’ directorial style but also to tease out the various genre conventions the director played with. As with his previous lecture series, Schenker will explore highlights of Hawks’ filmography chronologically, starting with the 1932 gangster classic “Scarface.” The 1940 screwball comedy “His Girl Friday,” starring Cary Grant and Rosalind Russell, is the topic on July 16. The film noir “The Big Sleep,” based on the Raymond Chandler novel and starring Humphrey Bogart, is the focus on July 23 and discussion of the western “Rio Bravo” concludes the series on July 30.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick, and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Schedule:

Sun., July 9, 2 PM: “Scarface” (1932)

Sun., July 16, 2 PM: “His Girl Friday” (1940)

Sun., July 23, 2 PM: “The Big Sleep” (1946)

Sun., July 30, 2 PM: “Rio Bravo” (1959)

UPCOMING EVENTS (Music events start at 8 PM unless otherwise noted; screenings start at 7 PM unless otherwise noted):

• Wednesday, June 14. INDIE ROCK: SPIT-TAKE, GRASS STAINS

• Thursday, June 15. SINGER-SONGWRITER: DAVID BROOKS (OF THE STREAMS)

• Friday, June 16, 7:30 PM. BLUEGRASS: MILE TWELVE (GUITARTOWNCT PRODUCTIONS)

• Wednesday, June 21. PROGRESSIVE FOLK: FE FI FO, SINGER-SONGWRITER: KRIZTA MOON

• Thursday, June 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND; CONTEMPORARY CLASSICAL MUSIC: THE CHRIS CHILDS TRIO

• Friday, June 23. CHAMBER ROCK: THE TET OFFENSIVE; INDIE ROCK: S.G. CARLSON

• Wednesday, June 28. ELECTRO-ACOUSTIC IMPROVISATION: NOAH & DAVID CHEVAN

• Thursday, June 29. POST-MODERN JAZZ/VOCALS: MÉLANGE À TROIS

• Friday, June 30. BLUEGRASS: THE DUDLEY FARMS STRING BAND

• Wednesday, July 5. CONTRA DANCE TUNES: WRY BRED

• Thursday, July 6. BLUES ROCK: PARKER’S TANGENT.

• Friday, July 7. BLUES/FOLK: CODA BLUE

• Sunday, July 9, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S SCARFACE” (1932)

• Wednesday, July 12. SURF ROCK: THE CLAMS

• Thursday, July 13. ROCK: THE RIGHT OFFS

• Friday, July 14. ROCK: ROPE

• Sunday, July 16, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “HIS GIRL FRIDAY” (1940)

• Wednesday, July 19. BRAZILIAN MUSIC: SAMBELEZA

• Friday, July 21. SOLO GUITAR: GLENN ROTH; SINGER-SONGWRITER: DANA MERRITT

• Sunday, July 23, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “THE BIG SLEEP” (1946)

• Wednesday, July 26. MUSIC FROM “THE SIMPSONS”: DR. CATERWAUL’S CADRES OF CLAIRVOYANT CLAPTRAPS with SPECIAL GUESTS

• Friday, July 28. WORLD MUSIC: NEELA

• Sunday, July 30, 2 PM. MARK SCHENKER: HOW TO READ A FILM—HOWARD HAWK’S “RIO BRAVO” (1959)

• Wednesday, Aug. 2. JAZZ: BADSLAX

• Friday, Aug. 4, 7:30 PM. BLUEGRASS: HONEY DEWDROPS (GUITARTOWNCT PRODUCTIONS)

• Wednesday, Aug. 9. EXPERIMENTAL: HUMAN FLOURISHING

• Thursday, Aug. 10. ALT-COUNTRY: PLYWOOD COWBOY

• Friday, Aug. 11. INDIE ROCK: LYS GUILLORN & HER BAND

• Wednesday, Aug. 16. INDIE ROCK: FURNSSS, TRASH CAN

• Friday, Aug. 25. POP ROCK: OBERON ROSE

• Friday, Sept. 8. INDIE ROCK: THE SAWTELLES

• Friday, Sept. 15, 7:30 PM. BLUEGRASS: ROB ICKES & TREY HENSLEY (GUITARTOWNCT PRODUCTIONS)

• Wednesday, Sept. 20. BLUEGRASS: BAIT AND SWITCH

• Friday, Sept. 22. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Saturday, Sept. 30. SINGER-SONGWRITER: JOHN GORKA (ODDBALL PRODUCTIONS)

• Friday, Oct. 20. BLUEGRASS: MISSY RAINES & THE NEW HIP (GUITARTOWNCT PRODUCTIONS)

• Thursday, Nov. 16, 7 PM. BLUEGRASS: TIM O’BRIEN

 

Lecture on Film: Mark Schenker concludes John Huston lecture series, piloting “The African Queen” Sun., Nov. 13, 1 PM

Prof. Mark Schenker of Yale College presents the final lecture in his series “How to Read a Film—4 by John Huston” on Sunday, Nov. 13, at 1 PM. This afternoon, Schenker will discuss Huston’s 1951 adventure “The African Queen,” starring Katharine Hepburn and Humphrey Bogart. Admission is $7.

african_queen_ver3_xlg_web

John Huston is one of the giants of American cinema history. A director, screenwriter and occasional actor, his resume includes “The Maltese Falcon,” “Key Largo,” “The African Queen,” “The Man Who Would Be King” and “John Huston’s The Dead.” He was nominated for 15 Academy Awards and won twice (for direction and screenwriting for “The Treasure of the Sierra Madre”).

Writing in 1968, a young Roger Ebert first saw the film as part of a short theatrical re-release. Wrote Ebert:

Perhaps many in the audience, like myself, were seeing the film for the first time. We discovered that its reputation is deserved: It is an almost perfect illustration of how much a really good movie can please. Things happen on the screen that makes you happy. You get involved.

This was a movie that respected its audience and respected its genuine desire to be well and intelligently entertained. By contrast, “The Ambushers” and other mass-produced “entertainments” are obviously made by people with little imagination and no real passion for craftsmanship. Much of “The African Queen’s” success probably can lie credited to those thoroughbreds, Bogart and Miss Hepburn. They took what was probably intended to be a adventure film and turned it into a comedy (and even a statement on human life) by bringing their own personalities into play.

View a trailer for “The African Queen”:

 

UPCOMING EVENTS:

• Wednesday, Nov. 9. NORDIC/CELTIC FOLK MUSIC DUO: WIKFORS & MOSSMAN

• Thursday, Nov. 10. BEST VIDEO FILM & CULTURAL CENTER GALA FIRST ANNIVERSARY BENEFIT (at The Ballroom at The Outer Space) with JEFF FULLER & FRIENDS, THE BANDIDOS, MERCY CHOIR, THE RED HOTS

• Friday, Nov. 11. SINGER-SONGWRITERS: FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Wednesday, Nov. 16. IMPROVISATION/AVANT-GARDE: TOM BLANCARTE, CHRIS CRETELLA, ZACH ROWDEN

• Thursday, Nov. 17. LITERARY: ALICE MATTISON—”THE PLEASURES AND PERILS OF WRITING A NOVEL”

• Friday, Nov. 18. PARTY PUNK: TINY BOX BOOKING presents POSTURE & THE GRIZZLY, PRINCE DADDY & THE HYENA, MILKSHAKES, JUST FRIENDS (7 PM)

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE, JEFF FULLER & ED CERCONE

• Monday, Nov. 21. MEMBER’S CHOICE FILM SCREENING: “RUNAWAY TRAIN”

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN, ALEXANDER

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Monday, Nov. 28. MEMBER’S CHOICE FILM SCREENING: “CHARADE”

• Wednesday, Nov. 30. JAZZ: URI SHAHAM TRIO

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH, SINGER-SONGWRITER: KRISTEN GRAVES

• Friday, Dec. 2. INDIE ROCK: THE SAWTELLES CD RELEASE SHOW, HANK HOFFMAN (solo)

• Sunday, Dec. 4. FREE FIRST SUNDAY AFTERNOON BLUEGRASS JAM (PRESENTED BY GUITARTOWNCT)

• Monday, Dec. 5. MEMBER’S CHOICE FILM SCREENING: “PAT GARRETT & BILLY THE KID”

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Monday, Dec. 12. MEMBER’S CHOICE FILM SCREENING: “WINTER’S BONE”

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Monday, Dec. 19. MEMBER’S CHOICE FILM SCREENING: “CONTACT”

• Friday, Jan. 6. ACOUSTIC FOLK BLUES & MORE: VANGE DURST

• Friday, Jan. 13. BLUEGRASS: FIVE IN THE CHAMBER

• Friday, Jan. 27. JAZZ: BADSLAX

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)

 

Lecture on Film: Mark Schenker continues John Huston lecture series, excavating “The Asphalt Jungle” Sun., Nov. 6

asphalt_jungle_poster_webIn this fourth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of John Huston.” All four lectures will be held on Sunday afternoons at 2 PM, starting on Sunday, Oct. 23, with the exception of the final lecture. The Nov. 13 lecture on “The African Queen” will begin at 1 PM. Admission to each lecture is $7.

Reservations are highly recommended.

The third lecture of the series walks the mean streets of “The Asphalt Jungle,’ a hard-boiled film noir from 1950. Starring Sterling Hayden, “The Asphalt Jungle” was recognized as a classic from the time of its release.

New York Times critic Bosley Crowther wrote in 1950, “We’ve got to hand it to the boys, particularly to Mr. Huston: they’ve done a terrific job! From the very first shot, in which the camera picks up a prowling thug, sliding along between buildings to avoid a police car in the gray and liquid dawn, there is ruthless authority in this picture, the hardness and clarity of steel, and remarkably subtle suggestion that conveys a whole involvement of distorted personality and inveterate crime. Mr. Huston’s ‘The Maltese Falcon,’ which brought him to the fore as a sure and incisive director, had nothing in the way of toughness on this film.”

John Huston is one of the giants of American cinema history. A director, screenwriter and occasional actor, his resume includes “The Maltese Falcon,” “Key Largo,” “The African Queen,” “The Man Who Would Be King” and “John Huston’s The Dead.” He was nominated for 15 Academy Awards and won twice (for direction and screenwriting for “The Treasure of the Sierra Madre”).

UPCOMING EVENTS:

• Saturday, Nov. 5. AMERICANA: MATT WHEELER, GOODNIGHT BLUE MOON DUO, JON SCHLESINGER

• Sunday, Nov. 6. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE ASPHALT JUNGLE”

• Wednesday, Nov. 9. NORDIC/CELTIC FOLK MUSIC DUO: WKFORS & MOSSMAN

• Thursday, Nov. 10. BEST VIDEO FILM & CULTURAL CENTER GALA FIRST ANNIVERSARY BENEFIT (at The Ballroom at The Outer Space)

• Friday, Nov. 11. SINGER-SONGWRITERS: FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Wednesday, Nov. 16. IMPROVISATION/AVANT-GARDE: TOM BLANCHART, CHRIS CRETELLA, ZACH ROWDEN

• Thursday, Nov. 17. LITERARY READING: ALICE MATTISON

• Friday, Nov. 18. PARTY PUNK: TINY BOX BOOKING presents POSTURE & THE GRIZZLY, PRINCE DADDY & THE HYENA, MILKSHAKES, JUST FRIENDS (7 PM)

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE, JEFF FULLER & ED CERCONE

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN, ALEXANDER

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Wednesday, Nov. 30. JAZZ: URI SHAHAM TRIO

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH

• Friday, Dec. 2. INDIE ROCK: THE SAWTELLES CD RELEASE SHOW

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Friday, Jan. 6. ACOUSTIC FOLK BLUES & MORE: VANGE DURST

• Friday, Jan. 13. BLUEGRASS: FIVE IN THE CHAMBER

• Friday, Jan. 27. JAZZ: BADSLAX

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)

Mark Schenker continues John Huston lecture series, dissecting “The Treasure of the Sierra Madre” Sun., Oct. 30

In this fourth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of John Huston.” All four lectures will be held on Sunday afternoons at 2 PM, starting on Sunday, Oct. 23, with the exception of the final lecture. The Nov. 13 lecture on “The African Queen” will begin at 1 PM. Admission to each lecture is $7.

poster-treasure-of-the-sierra-madre_web

The second lecture of the series unearths “The Treasure of the Sierra Madre,” Huston’s 1948 adventure drama starring Humphrey Bogart. The movie was based on a book by anarchist author B. Traven.

Reviewing the film upon its release, New York Times critic Bosley Crowther wrote:

Greed, a despicable passion out of which other base ferments may spawn, is seldom treated in the movies with the frank and ironic contempt that is vividly manifested toward it in “Treasure of Sierra Madre.” And certainly the big stars of the movies are rarely exposed in such cruel light as that which is thrown on Humphrey Bogart in this new picture at the Strand. But the fact that this steel-springed outdoor drama transgresses convention in both respects is a token of the originality and maturity that you can expect of it.

View the trailer:

Oct. 30 (2 PM):   “The Treasure of the Sierra Madre”

Nov. 6 (2 PM): “The Asphalt Jungle”

Nov. 13 (1 PM start): “The African Queen”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock, Stanley Kubrick and Billy Wilder and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS:

• Wednesday, Oct. 26. SINGER-SONGWRITER: NAMOLI BRENNET

• Thursday, Oct. 27. CELTIC AMERICA: THE EBIN-ROSE TRIO; SINGER-SONGWRITER:  DOUGLAS ALAN

• Friday, Oct. 28. HALLOWEEN SILENT FILM SCREENING WITH LIVE SCORE: LIGHT UPON BLIGHT PLAYS TO “NOSFERATU”

• Saturday, Oct. 29. FILM SCREENING FOR KIDS: “SPIRITED AWAY” (Sponsored by Pediatrics Plus of North Haven)

• Sunday, Oct. 30. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE TREASURE OF THE SIERRA MADRE”

• Wednesday, Nov. 2. RECEPTION TO HONOR FRANZ DOUSKEY AS HAMDEN’s FIRST POET LAUREATE

• Thursday, Nov. 3. ROCK: ROPE, THE TOMMYS

• Saturday, Nov. 5. AMERICANA: MATT WHEELER, GOODNIGHT BLUE MOON DUO, JON SCHLESINGER

• Sunday, Nov. 6. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE ASPHALT JUNGLE”

• Thursday, Nov. 10. BEST VIDEO FILM & CULTURAL CENTER GALA FIRST ANNIVERSARY BENEFIT (at The Ballroom at The Outer Space)

• Friday, Nov. 11. SINGER-SONGWRITERS: FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Wednesday, Nov. 16. IMPROVISATION/AVANT-GARDE: TOM BLANCHART, CHRIS CRETELLA< ZACH ROWDEN

• Thursday, Nov. 17. LITERARY READING: ALICE MATTISON

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE, JEFF FULLER & ED CERCONE

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN, ALEXANDER

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Friday, Jan. 13. BLUEGRASS: FIVE IN THE CHAMBER

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)

 

Prof. Mark Schenker returns for new lecture series starting Sun., Oct. 23; “How to Read a Film” subject is films of John Huston

In this fourth installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of John Huston.” All four lectures will be held on Sunday afternoons at 2 PM, starting on Sunday, Oct. 23, with the exception of the final lecture. The Nov. 13 lecture on “The African Queen” will begin at 1 PM. Admission to each lecture is $7.

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Reservations are highly recommended.

John Huston is one of the giants of American cinema history. A director, screenwriter and occasional actor, his resume includes “The Maltese Falcon,” “Key Largo,” “The African Queen,” “The Man Who Would Be King” and “John Huston’s The Dead.” He was nominated for 15 Academy Awards and won twice (for direction and screenwriting for “The Treasure of the Sierra Madre”).

Peter B. Flint wrote in The New York Times obituary of Huston:

The best Huston films have lean, fast-paced scripts and vibrant plots and characterizations, and many of them deal ironically with vanity, avarice and unfulfilled quests. In them, nonconformists and misfits brave danger fatalistically in a world where women are often peripheral.

He directed most of Hollywood’s stars with a sportive irreverence toward their images, and bucked Hollywood’s penchant for happy endings by concluding an unusual number of movies with love unsatisfied.

Mark will be discussing four Huston films: “The Maltese Falcon” (1941), “The Treasure of the Sierra Madre” (1948), “The Asphalt Jungle” (1950), and “The African Queen” (1951).

the-maltese-falcon_poster_web

The first film in the series, The Maltese Falcon,” was based on a book by Dashiell Hammett. It was Huston’s first directorial job. The late film critic Roger Ebert—who listed “The Maltese Falcon” as one of the “Great movies” on RogerEbert.com— wrote:

To describe the plot in a linear and logical fashion is almost impossible. That doesn’t matter. The movie is essentially a series of conversations punctuated by brief, violent interludes. It’s all style. It isn’t violence or chases, but the way the actors look, move, speak and embody their characters. Under the style is attitude: Hard men, in a hard season, in a society emerging from Depression and heading for war, are motivated by greed and capable of murder. For an hourly fee, Sam Spade will negotiate this terrain.

Oct. 23 (2 PM): “The Maltese Falcon”

Oct. 30 (2 PM):   “The Treasure of the Sierra Madre”

Nov. 6 (2 PM): “The Asphalt Jungle”

Nov. 13 (1 PM start): “The African Queen”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS:

• Thursday, Oct. 20. BLUEGRASS: THE KOREY BRODSKY BAND

• Friday, Oct. 21. BLUEGRASS/POP: JACKSON’S ISLAND

• Saturday, Oct. 22. JAZZ JAM with ALLEN LOWE

• Sunday, Oct. 23. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE MALTESE FALCON”

• Wednesday, Oct. 26. SINGER-SONGWRITER: NAMOLI BRENNET

• Thursday, Oct. 27. CELTIC AMERICA: THE EBIN-ROSE TRIO; SINGER-SONGWRITER:  DOUGLAS ALAN

• Friday, Oct. 28. HALLOWEEN SILENT FILM SCREENING WITH LIVE SCORE: LIGHT UPON BLIGHT PLAYS TO “NOSFERATU”

• Saturday, Oct. 29. FILM SCREENING FOR KIDS: “SPIRITED AWAY” (Sponsored by Pediatrics Plus of North Haven)

• Sunday, Oct. 30. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE TREASURE OF THE SIERRA MADRE”

• Thursday, Nov. 3. ROCK: ROPE, THE TOMMYS

• Saturday, Nov. 5. AMERICANA: MATT WHEELER, GOODNIGHT BLUE MOON DUO

• Sunday, Nov. 6. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE ASPHALT JUNGLE”

• Thursday, Nov. 10. ALT-COUNTRY: SEPIATONE

• Friday, Nov. 11. FERNANDO PINTO PRESENTS JESSE TERRY & CALLAGHAN

• Sunday, Nov. 13. MARK SCHENKER: HOW TO READ A FILM—JOHN HUSTON’S “THE AFRICAN QUEEN” (1 PM)

• Sunday, Nov. 13. KLEZMER JAM (6 PM)

• Thursday, Nov. 17. LITERARY READING: ALICE MATTISON

• Saturday, Nov. 19. JAZZ JAM with ALLEN LOWE

• Wednesday, Nov. 23. AMERICAN PRIMITIVE GUITAR: DANIEL BACHMAN

• Friday, Nov. 25. BLUEGRASS/TRADITIONAL COUNTRY: DAVE PETERSON (A GUITARTOWNCT PRODUCTION)

• Saturday, Nov. 26. FILM SCREENING FOR KIDS: “THE INCREDIBLE JOURNEY” (Sponsored by Pediatrics Plus of North Haven)

• Thursday, Dec. 1. ACOUSTIC GUITAR: GLENN ROTH

• Friday, Dec. 9. BLUEGRASS: DALE ANN BRADLEY BAND (A GUITARTOWNCT PRODUCTION)

• Friday, Dec. 16. JAZZ: JEFF FULLER & FRIENDS

• Saturday, Dec. 17. FILM SCREENING FOR KIDS: “THE GOONIES” (Sponsored by Pediatrics Plus of North Haven)

• Saturday, Jan. 28. FILM SCREENING FOR KIDS: “MY NEIGHBOR TOTORO” (Sponsored by Pediatrics Plus of North Haven)