Prof. Mark Schenker concludes Billy Wilder lecture series with “Witness for the Prosecution” Sun., July 10

Witness-for-the-Prosecution_poster_WebIn this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” This week, Schenker concludes the four-film series by interrogating Wilder’s 1957 drama “Witness for the Prosecution,” starring Marlene Dietrich and Charles Laughton. Admission to each lecture is $7 and they begin at 2 PM. Reservations are highly recommended.

Mark has previously dissected “Double Indemnity” (1944) on June 12, “Sunset Boulevard” (1950) on June 19 and “Stalag 17” on June 26.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

In his 1958 New York Times review, Bosley Crowther wrote, “For a courtroom melodrama pegged to a single plot device—a device that, of course, everybody promises not to reveal—the Arthur Hornblow Jr. film production of the Agatha Christie play ‘Witness for the Prosecution’ comes off extraordinarily well. This results mainly from Billy Wilder’s splendid staging of some splintering courtroom scenes and a first-rate theatrical performance by Charles Laughton in the defense-attorney role.”

UPCOMING EVENTS:

• Thursday, July 7. JAZZ: MICHAELA COPPOLA & AMANDA BELLITTO

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA, REBECCA KESSLER OF VIOLENT MAE (SOLO)

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Monday, July 11. FILM SCREENING: “REMEMBER”

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Monday, July 18. FILM SCREENING: “LIFEBOAT”

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Thursday, July 21. JAZZ: BRETT BOTTOMLEY

• Friday, July 22. FOLK: HOMEMADE JAM

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Monday, July 25. FILM SCREENING: “ACE IN THE HOLE”

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Monday, Aug. 1. FILM SCREENING: “THE TRAIN”

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Thursday, Aug. 4. ECLECTIC ACOUSTIC: THE NAMELESS TRIO

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND

• Monday, Aug. 8. FILM SCREENING: “MAGNIFICENT OBSESSION”

• Wednesday, Aug. 10. BLUEGRASS: EAST ROCK RAMBLERS

• Thursday, Aug. 11. INDIE ROCK: ZOO FRONT

• Wednesday, Aug. 17. SINGER-SONGWRITER POP: THE SHELLYE VALAUSKAS EXPERIENCE, TINY OCEAN

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Sunday, Sept. 25. SURJ FILM SCREENING: “RACE: THE POWER OF AN ILLUSION”

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

Prof. Mark Schenker discusses Billy Wilder’s 1953 film “Stalag 17” on Sun., June 25, at 2 PM

In this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” This week, Schenker focuses on “Stalag 17,” starring William Holden. Admission to each lecture is $7 and they begin at 2 PM.

Reservations are highly recommended.

stalag-17_Web

Mark has previously dissected “Double Indemnity” (1944) on June 12 and “Sunset Boulevard” (1950) on June 19. He will interrogate “Witness for the Prosecution” (1957) on July 10.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Writing in The New York Times in 1953, critic Bosley Crowther opined:

A cracker jack movie entertainment has been made from “Stalag 17,” the play by Donald Bevan and Edmund Trzcinski that scored on Broadway two years ago. Produced and directed by Billy Wilder for the greater glory of Paramount and played by an all-male cast of experts, sparked by William Holden, Harvey Lembeck and Robert Strauss, this film version of the comedy-drama of American airmen in a German prison camp becomes a humorous, suspenseful, disturbing and rousing pastime on the Astor’s screen.

UPCOMING EVENTS:

• Wednesday, June 22. SURF MUSIC: THE CLAMS

• Thursday, June 23. INDIE FOLK: JACKET THOR, CAT THUMBS, PALE MOON PALE WITCH

• Friday, June 24. SOLO GUITAR: GLENN ROTH, ALT-COUNTRY: LINES WEST

• Sunday, June 26. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“STALAG 17”)

• Monday, June 27. BEER CLASS WITH MAX FINNANCE OF SIXPOINT BREWING; MUSIC: STEVE RODGERS

• Tuesday, June 28. “THE NUTS AND BOLTS OF MAKING A MOVIE”—A FILMMAKING WORKSHOP FOR HIGH SCHOOL STUDENTS

• Wednesday, June 29. JAZZ: JEFF FULLER & FRIENDS CD RELEASE SHOW

• Thursday, June 30. SINGER-SONGWRITER: QUINN HARLEY, LILIANA MALDONADO

• Friday, July 1. POST-PUNK: TELEGRAM SCAM, SPECTRAL FANGS

• Sunday, July 3. FREE AFTERNOON BLUEGRASS JAM

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA, REBECCA KESSLER OF VIOLENT MAE (SOLO)

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Monday, July 11. FILM SCREENING: “REMEMBER”

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Monday, July 18. FILM SCREENING: “LIFEBOAT”

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Thursday, July 21. JAZZ: BRETT BOTTOMLEY

• Friday, July 22. FOLK: HOMEMADE JAM

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Monday, July 25. FILM SCREENING: “ACE IN THE HOLE”

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Monday, Aug. 1. FILM SCREENING: “THE TRAIN”

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Thursday, Aug. 4. ECLECTIC ACOUSTIC: THE NAMELESS TRIO

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND, EARTHLINGS

• Monday, Aug. 8. FILM SCREENING: “MAGNIFICENT OBSESSION”

• Wednesday, Aug. 17. SINGER-SONGWRITER POP: THE SHELLYE VALAUSKAS EXPERIENCE, TINY OCEAN

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Sunday, Sept. 25. SURJ FILM SCREENING: “RACE: THE POWER OF AN ILLUSION”

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

 

Mark Schenker deconstructs Billy Wilder’s “Sunset Boulevard” Sun., 6/19, at 2 PM

Sunset Boulevard_04_WebIn this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” This week, Schenker will deconstruct Wilder’s classic “Sunset Boulevard,” starring Gloria Swanson and William Holden. Admission to each lecture is $7 and they begin at 2 PM.

Reservations are highly recommended.

Mark will be discussing four Wilder films: “Double Indemnity” (1944) on June 12, “Sunset Boulevard” (1950) on June 19, “Stalag 17” (1953) on June 26, and “Witness for the Prosecution” (1957) on July 10.

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

Writing in The New York Times in 1950, Thomas Pryor declared:

Sunset Boulevard is by no means a rounded story of Hollywood, past or present. But it is such a clever compound of truth and legend—and is so richly redolent of the past, yet so contemporaneous—that it seemingly speaks with great authority. Sunset Boulevard is that rare blend of pungent writing, expert acting, masterly direction, and unobtrusively artistic photography which quickly casts a spell over an audience and holds it enthralled to a shattering climax.

UPCOMING EVENTS:

• Friday, June 17. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Sunday, June 19. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“SUNSET BOULEVARD”)

• Wednesday, June 22. SURF MUSIC: THE CLAMS

• Thursday, June 23. INDIE FOLK: JACKET THOR, CAT THUMBS, PALE MOON PALE WITCH

• Friday, June 24. SOLO GUITAR: GLENN ROTH, ALT-COUNTRY: LINES WEST

• Sunday, June 26. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“STALAG 17”)

• Monday, June 27. BEER CLASS WITH MAX FINNANCE OF SIXPOINT BREWING; MUSIC: STEVE RODGERS

• Tuesday, June 28. “THE NUTS AND BOLTS OF MAKING A MOVIE”—A FILMMAKING WORKSHOP FOR HIGH SCHOOL STUDENTS

• Wednesday, June 29. JAZZ: JEFF FULLER & FRIENDS CD RELEASE SHOW

• Thursday, June 30. SINGER-SONGWRITER: QUINN HARLEY, LILIANA MALDONADO

• Friday, July 1. POST-PUNK: TELEGRAM SCAM, SPECTRAL FANGS

• Sunday, July 3. FREE AFTERNOON BLUEGRASS JAM

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA, REBECCA KESSLER OF VIOLENT MAE (SOLO)

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Monday, July 11. FILM SCREENING: “REMEMBER”

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Monday, July 18. FILM SCREENING: “LIFEBOAT”

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Thursday, July 21. JAZZ: BRETT BOTTOMLEY

• Friday, July 22. FOLK: HOMEMADE JAM

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Monday, July 25. FILM SCREENING: “ACE IN THE HOLE”

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Monday, Aug. 1. FILM SCREENING: “THE TRAIN”

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Thursday, Aug. 4. ECLECTIC ACOUSTIC: THE NAMELESS TRIO

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND, EARTHLINGS

• Monday, Aug. 8. FILM SCREENING: “MAGNIFICENT OBSESSION”

• Wednesday, Aug. 17. SINGER-SONGWRITER POP: THE SHELLYE VALAUSKAS EXPERIENCE, TINY OCEAN

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Sunday, Sept. 25. SURJ FILM SCREENING: “RACE: THE POWER OF AN ILLUSION”

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

 

Mark Schenker returns for new lecture series starting Sun., June 12; “How to Read a Film” subject is films of Billy Wilder

In this third installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Billy Wilder.” All four lectures will be held on Sunday afternoons at 2 PM, starting on Sunday, June 12.  The lectures will run on consecutive Sundays with the exception of the final one, which skips the July 4th weekend and takes place on Sunday, July 10. Admission to each lecture is $7.

Reservations are highly recommended.

Billy_Wilder_Web

Born in Austria, Wilder moved to Berlin in the late 1920s. He became a newspaperman but was drawn to film, collaborating on the feature “People on Sunday” in 1929 with Fred Zinneman and Robert Siodmak. With Hitler’s rise to power in 1933, Wilder—who was Jewish— left first for Paris and then to Hollywood. Although he spoke only 100 words of English when he arrived in the United States, he broke into the business initially as a screenwriter with a deft feel for plot and character. His first film as a director was “The Major and the Minor” (1942). The groundbreaking film noir “Double Indemnity” (1944)—co-written with iconic mystery novelist Raymond Chandler—was a career-maker for Wilder and established many of the conventions of the genre.

Wilder was nominated for 21 Oscars and won six. Film critic Roger Ebert called him “one of a handful of indisputably great directors.” In his obituary for Wilder, Ebert wrote:

His films are timeless because they rarely stooped to easy sentimentality. He anticipated and helped invent the modern age of irony. There was a jaundiced view of human nature, a dubiousness about too much sincerity.

Mark will be discussing four Wilder films: “Double Indemnity” (1944), “Sunset Boulevard” (1950), “Stalag 17” (1953), and “Witness for the Prosecution” (1957).

June 12: “Double Indemnity”

June 19:   “Sunset Boulevard”

June 26: “Stalag 17”

July 10: “Witness for the Prosecution”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and Stanley Kubrick and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS:

• Thursday, June 2. HALFWAY TO GUITAR NIGHT: SHAWN PERSINGER, NANCY TUCKER, NORMAN PLANKEY, ROBERT MESSORE (7:30 START)

• Friday, June 3. SINGER-SONGWRITER: SHAWN TAYLOR

• Sunday, June 5. FREE AFTERNOON BLUEGRASS JAM

• Wed., June 8. INDIE ROCK: GUN SHY, SHIRESE

• Thursday, June 9. CABARET/SINATRA: RICH MORAN & FRANZ DOUSKEY

• Friday, June 10. ROCK: NOTHING SPECIAL

• Sunday, June 12. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“DOUBLE INDEMNITY”)

• Thursday, June 16. CHRISTOPHER ARNOTT & LYS GUILLORN CELEBRATE BLOOMSDAY

• Friday, June 17. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Sunday, June 19. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“SUNSET BOULEVARD”)

• Thursday, June 23. INDIE FOLK: JACKET THOR, CAT THUMBS, PALE MOON PALE WITCH

• Friday, June 24. SOLO GUITAR: GLENN ROTH, ALT-COUNTRY: LINES WEST

• Sunday, June 26. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“STALAG 17”)

• Wednesday, June 29. JAZZ: JEFF FULLER & FRIENDS CD RELEASE SHOW

• Thursday, June 30. SINGER-SONGWRITER: EUGENE GALLAGHER, QUINN HARLEY

• Friday, July 1. POST-PUNK: TELEGRAM SCAM, SPECTRAL FANGS

• Sunday, July 3. FREE AFTERNOON BLUEGRASS JAM

• Friday, July 8. SINGER-SONGWRITER: JOSÉ OYOLA

• Saturday, July 9. FILM SCREENING: A DARK ROOM FILM FEST WITH TONY JULIANO

• Sunday, July 10. MARK SCHENKER: HOW TO READ A FILM—FOUR BY BILLY WILDER (“WITNESS FOR THE PROSECUTION”)

• Wednesday, July 13. ROCK: HOLIDAY PING

• Thursday, July 14. SINGER-SONGWRITER/INDIE ROCK: DANIELLE CAPALBO

• Friday, July 15. SINGER-SONGWRITER: KATH BLOOM, BOP TWEEDIE

• Wednesday, July 20. BLUEGRASS: DUDLEY FARMS STRING BAND

• Sunday, July 24. INDIE, HIP-HOP: RUNNING LAPS & NATHAN CORP, THE FOREST ROOM, CHEF THE CHEF, ZAK G.

• Wednesday, July 27. DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS PRESENTS THE MUSIC OF ENNIO MORRICONE

• Thursday, July 28. DIY/EXPERIMENTAL: PAINTED FACES, BIG NURSE

• Friday, July 29. ART-ROCK: FE FI FO

• Wednesday, Aug. 3. INDIE ROCK: JELLYSHIRTS

• Friday, Aug. 5. INDIE ROCK: THE LYS GUILLORN BAND, EARTHLINGS

• Friday, Aug. 19. SINGER-SONGWRITERS: PONYBIRD, FRANK CRITELLI, CHRISTOPHER BOUSQUET

• Tuesday, Aug. 30. BLUEGRASS: STACY PHILLIPS & HIS BLUEGRASS CHARACTERS

• Friday, Oct. 7. BLUEGRASS/NEW ACOUSTIC: JOE WALSH & FRIENDS (A GUITARTOWN CT PRODUCTION)

• Saturday, Oct. 8. THE NEW ENGLAND UNDERGROUND FILM FESTIVAL

 

New Mark Schenker lecture series focusing on the films of Stanley Kubrick starts Sun., Nov. 29; reservations strongly suggested

Stanley_Kubrick_WebIn this second installment of his series “How to Read A Film,” Mark Schenker of Yale College presents four lectures on “The Films of Stanley Kubrick.” All four lectures will be held on consecutive Sunday afternoons at 2 PM, starting on Sunday, Nov. 29. Admission to each lecture is $7.

Reservations are highly recommended.

Kubrick (1928-1999) was, like Alfred Hitchcock — the subject of Mark Schenker’s first series here at Best Video — one of the world’s greatest filmmakers. And he provides a nice counterbalance to the older director in that Hitchcock was born in England and emigrated to America to continue his movie-making, while Kubrick was born in the U.S. and moved permanently to England in 1962, going on to write and direct more seven films after leaving Hollywood.

Mark will be discussing four Kubrick films, a pair from each side of that divide: The Killing (1956);  Paths of Glory (1957);  Dr. Strangelove (1964), and Barry Lyndon (1975).

Nov. 29: “The Killing”

Dec. 6:   “Paths of Glory”

Dec. 13: “Dr. Strangelove”

Dec. 20: “Barry Lyndon”

Mark Schenker’s lectures are accompanied by clips from the films to illustrate the points he is making. His previous lectures on the films of Alfred Hitchcock and the historical context in which the TV series “Downton Abbey” took place were erudite and entertaining.

UPCOMING EVENTS:

• Wednesday, Nov. 18. FILM SCREENING: THE MANCHURIAN CANDIDATE (1962)

• Thursday, Nov. 19. DARK FOLK: ELISA FLYNN; SOUL PUNK: AN HISTORIC

• Friday, Nov. 20. SINGER-SONGWRITER: SABRINA TRUEHEART

• Sunday, Nov. 22. FILM SCREENING/BLACK LIVES MATTER BENEFIT: “ANNE BRADEN: SOUTHERN PATRIOT”

• Friday, Nov. 27. ACOUSTIC ROCK: THE BIRDMEN

• Sunday, Nov. 29. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“THE KILLING”)

• Wednesday, Dec. 2. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Thursday, Dec. 3. ELECTRONIC: AVMUS

• Friday, Dec. 4. CLASSICAL: RAVENNA MICHALSEN & BETHANY WILDER

• Sunday, Dec. 6. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“PATHS OF GLORY”)

• Wednesday, Dec. 9. JAZZ: THE THELONIOUS MONK PROJECT BAND

• Thursday, Dec. 10. BLUES/FOLK/COUNTRY: CODA BLUE

• Friday, Dec. 11. INDIE POP: THE SHELLYE VALAUSKAS EXPERIENCE

• Sunday, Dec. 13. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“DR. STRANGELOVE”)

• Wednesday, Dec. 16. SINGER-SONGWRITER: BRIAN DOLZANI

• Friday, Dec. 18. PSYCHO-FOLK: MILKSOP: UNSUNG

• Sunday, Dec. 20. MARK SCHENKER: HOW TO READ A FILM—FOUR BY STANLEY KUBRICK (“BARRY LYNDON”)

Hitchcock lecture series concludes Sun., Jan. 25, at 2 PM, with “North By Northwest”

north_by_northwest_xlg_Web2Mark Schenker, Dean of Academic Affairs at Yale College and frequent lecturer on film and literature topics at venues throughout Connecticut, has been presenting lectures on the films of Alfred Hitchcock on successive Sunday afternoons in January. The series, which concludes this coming Sunday, has been one of the most popular programs here at Best Video. The lecture begins at 2 PM. Admission cost is $7.

Dean Schenker’s talks are both informative and fun, as attendees of his August lecture at Best Video on the historical context of the “Downton Abbey” TV series can attest.

The series concludes with one of the director’s classics:

Sun., Jan. 25: “North by Northwest” (1959), with Cary Grant as another of Hitchcock’s innocent men on the run in a movie that is a sophisticated blend of thriller, romance, and comedy.

From A.H. Weiler’s 1959 New York Times review:

Since he is a peripatetic operative who loves to beat about the bush while beating about the countryside, director Alfred Hitchcock and a covey of willing and able traveling companions have made “North by Northwest,” which was unveiled at the Music Hall yesterday, a suspenseful and delightful Cook’s Tour of some of the more photogenic spots in these United States.

Although they are involved in lightning-fast romance and some loose intrigue, it is all done in brisk, genuinely witty and sophisticated style. With Mr. Hitchcock at the helm, moving “North by Northwest” is a colorful and exciting route for spies, counterspies and lovers.

The lectures address aspects of the individual works, characteristics of Hitchcock’s art, and ways that participants can be better “readers” of film—more adept at what to look for and see in considering movies as work of art at no cost to their ability to entertain and enthrall us. Clips from each of the films will accompany the lectures.

How to Read a Film: Mark Schenker lectures Sunday on Hitchcock’s “Rear Window”

Mark Schenker, Dean of Academic Affairs at Yale College and frequent lecturer on film and literature topics at venues throughout Connecticut, has been presenting lectures on the films of Alfred Hitchcock on successive Sunday afternoons in January. The series began on Sunday, Jan. 4, with a talk to a packed room about Hitchcock’s 1946 thriller “Notorious,” starring Cary Grant and Ingrid Bergman. Attendance and enthusiasm were similarly high for the Jan. 11 lecture about “Strangers on a Train.” Each lecture begins at 2 PM. The cost is $7 per lecture or $25 for the entire series.

Dean Schenker’s talks are both informative and fun, as attendees of his August lecture at Best Video on the historical context of the “Downton Abbey” TV series can attest.

The series continues with the last two movies in chronological order of their release:

Sun., Jan. 18: “Rear Window” (1954), with James Stewart and Grace Kelly in a voyeuristic thriller.

Sun., Jan. 25: “North by Northwest” (1959), with Cary Grant as another of Hitchcock’s innocent men on the run in a movie that is a sophisticated blend of thriller, romance, and comedy.

The lectures address aspects of the individual works, characteristics of Hitchcock’s art, and ways that participants can be better “readers” of film—more adept at what to look for and see in considering movies as work of art at no cost to their ability to entertain and enthrall us. Clips from each of the films will accompany the lectures.

How to Read a Film: Mark Schenker’s Hitchcock lectures continue with “Strangers on a Train” Sun., Jan. 11, at 2 PM

Mark Schenker discussing the historical context for the "Downton Abbey" series at a lecture in the Best Video Performance Space in August, 2014.

Mark Schenker discussing the historical context for the “Downton Abbey” series at a lecture in the Best Video Performance Space in August, 2014.

Mark Schenker, Dean of Academic Affairs in Yale College and frequent lecturer on film and literature topics at venues throughout Connecticut, presents four lectures on the films of Alfred Hitchcock on successive Sunday afternoons in January. The series began on Sunday, Jan. 4, with a talk to a packed room about Hitchcock’s 1946 thriller “Notorious,” starring Cary Grant and Ingrid Bergman. Each lecture begins at 2 PM. The cost is $7 per lecture or $25 for the entire series.

Dean Schenker’s talks are both informative and fun, as attendees of his August lecture at Best Video on the historical context of the “Downton Abbey” TV series can attest.

The series continues with the next three movies in chronological order of their release:

Sun., Jan. 11: “Strangers on a Train” (1951), with Robert Walker as one of Hitchcock’s most impressive villains.

Sun., Jan. 18: “Rear Window” (1954), with James Stewart and Grace Kelly in a voyeuristic thriller.

Sun., Jan. 25: “North by Northwest” (1959), with Cary Grant as another of Hitchcock’s innocent men on the run in a movie that is a sophisticated blend of thriller, romance, and comedy.

The lectures will address aspects of the individual works, characteristics of Hitchcock’s art, and ways that participants can be better “readers” of film—more adept at what to look for and see in considering movies as work of art at no cost to their ability to entertain and enthrall us. Clips from each of the films will accompany the lectures.

UPCOMING EVENTS:

• Friday, Jan. 9. MUSIC FROM “TWIN PEAKS”: DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS

• Sunday, Jan. 11. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “STRANGERS ON A TRAIN”

• Wednesday, Jan. 14. JAZZ: JEFF FULLER & FRIENDS

• Thursday, Jan. 15. SOLO ACOUSTIC GUITAR: ROBERT MESSORE

• Friday, Jan. 16: INDIE ROCK: MERCY CHOIR

• Sunday, Jan. 18. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “REAR WINDOW”

• Wednesday, Jan. 21. SONGWRITERS’ CIRCLE: MARK MIRANDO, DICK NEAL, REX FOWLER

• Thursday, Jan. 22. ALT-COUNTRY: HEATHER FAY

• Sunday, Jan. 25. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “NORTH BY NORTHWEST”

• Friday., Jan. 30. JAZZ: URI SHAHAM

• Friday, Feb. 6. AVANT-GARDE: RIVENER, LIGHT UPON BLIGHT

• Thursday. Mar. 5. SINGER-SONGWRITER: THE ANNE MARIE MENTA BAND

• Friday, Mar. 6. JAZZ: NICK DiMARIA WiRED

• Friday, April 3. AVANT-GARDE: ZERO DOLLAR

• Friday, April 17. WPKN BENEFIT

• Friday, May 1. FILM FEST: “A DARK ROOM”

How to Read a Film: Four lectures by Mark Schenker on classic films by Alfred Hitchcock

Mark Schenker discussing the historical context for the "Downton Abbey" series at a lecture in the Best Video Performance Space in August, 2014.

Mark Schenker discussing the historical context for the “Downton Abbey” series at a lecture in the Best Video Performance Space in August, 2014.

Mark Schenker, Dean of Academic Affairs in Yale College and frequent lecturer on film and literature topics at venues throughout Connecticut, presents four lectures on the films of Alfred Hitchcock on successive Sunday afternoons in January. The series starts on Sunday, Jan. 4, and concludes on Sunday, Jan. 25. Each lecture begins at 2 PM. The cost is $7 per lecture or $25 for the entire series.

Dean Schenker’s talks are both informative and fun, as attendees of his August lecture at Best Video on the historical context of the “Downton Abbey” TV series can attest.

Dean Schenker will discuss the four movies in chronological order of their release:

Sun., Jan. 4: “Notorious” (1946), with Cary Grant and Ingrid Bergman in what is perhaps the director’s most fully realized love story.

Sun., Jan. 11: “Strangers on a Train” (1951), with Robert Walker as one of Hitchcock’s most impressive villains.

Sun., Jan. 18: “Rear Window” (1954), with James Stewart and Grace Kelly in a voyeuristic thriller.

Sun., Jan. 25: “North by Northwest” (1959), with Cary Grant as another of Hitchcock’s innocent men on the run in a movie that is a sophisticated blend of thriller, romance, and comedy.

The lectures will address aspects of the individual works, characteristics of Hitchcock’s art, and ways that participants can be better “readers” of film—more adept at what to look for and see in considering movies as work of art at no cost to their ability to entertain and enthrall us. Clips from each of the films will accompany the lectures.

UPCOMING EVENTS:

• Friday, Jan. 2. INDIE ROCK: THE SAWTELLES, HAPPY ENDING DUO (BEST VIDEO’S OWN HANK HOFFMAN & RICHARD BROWN)

• Sunday, Jan. 4. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “NOTORIOUS”

• Wednesday, Jan. 7. SINGER-SONGWRITERS: CRISTINA HARRIS, PATRICK DALTON

• Thursday, Jan. 8. BLUEGRASS: RAGWEED

• Friday, Jan. 9. MUSIC FROM “TWIN PEAKS”: DR. CATERWAUL’S CADRE OF CLAIRVOYANT CLAPTRAPS

• Sunday, Jan. 11. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “STRANGERS ON A TRAIN”

• Wednesday, Jan. 14. JAZZ: JEFF FULLER & FRIENDS

• Thursday, Jan. 15. SOLO ACOUSTIC GUITAR: ROBERT MESSORE

• Friday, Jan. 16: INDIE ROCK: MERCY CHOIR

• Sunday, Jan. 18. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “REAR WINDOW”

• Wednesday, Jan. 21. SONGWRITERS’ CIRCLE: MARK MIRANDO, DICK NEAL, REX FOWLER

• Thursday, Jan. 22. ALT-COUNTRY: HEATHER FAY

• Sunday, Jan. 25. MARK SCHENKER: HOW TO READ A FILM—FOUR BY HITCHCOCK: “NORTH BY NORTHWEST”

• Friday., Jan. 30. JAZZ: URI SHAHAM

• Friday, Feb. 6. AVANT-GARDE: RIVENER, LIGHT UPON BLIGHT

• Friday, Mar. 6. JAZZ: NICK DiMARIA WiRED

• Friday, April 3. AVANT-GARDE: ZERO DOLLAR

• Friday, April 17. WPKN BENEFIT

• Friday, May 1. FILM FEST: “A DARK ROOM”

For fans of “Downton Abbey”: Prof. Mark Schenker lectures on “The Real World of Downton Abbey” Aug. 4 at 7:30 PM

Can’t get enough of the popular British series “Downton Abbey?”

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Then come on down to the Best Video Performance Space on Monday, Aug. 4, at 7:30 PM. Mark Schenker, the Dean of Academic Affairs in Yale College, will give a lecture on the social, political and literary contexts of the late 19th and early 20th century in England that helped shaped the world depicted in the extraordinarily popular PBS series. There will be a $5 admission charge for this event.

UPCOMING EVENTS:

• Wednesday, July 23. SINGER-SONGWRITERS: PAUL BELBUSTI (MERCY CHOIR); LEILA CROCKETT (BABY G)

• Thursday, July 24. PROGRESSIVE FOLK ROCK: KINDRED QUEER

• Friday, July 25. EXPERIMENTAL GHOST POP: SIRENS

• Tuesday, July 29. BLUEGRASS: STACY PHILLIPS AND HIS BLUEGRASS CHARACTERS

• Wednesday, JULY 30, SOLO ACOUSTIC GUITAR: ROBERT MESSORE

• Thursday, July 31. ROCK: THE SHELLYE VALAUSKAS EXPERIENCE

• Friday, Aug. 1. ELECTRO-ACOUSTIC: DAVID ELKIN-GINNETTI

• Monday, Aug. 4. LECTURE: MARK SCHENCKER DISCUSSES “THE REAL WORLD OF DOWNTON ABBEY”

• Thursday, Aug. 7. FOLK MUSIC: SHELDON CAMPBELL

• Friday, Aug. 8. SINGER-SONGWRITERS: JENNIFER DAUPHINAIS (PONYBIRD); SAM PERDUTA

• Monday, Aug. 11. FILM SCREENING AND DISCUSSION: WITNESS

• Wednesday, Aug. 13. INDIE ROCK: THE LYS GUILLORN BAND

• Thursday, Aug. 14. ROCK: PARKER’S TANGENT

• Friday, Aug. 15. POP/ART/PUPPETRY: POCKET VINYL, GLUMPUPPET

• Monday, Aug. 18. FILM SCREENING: DANNY SAYS (ROUGH CUT)

• Wednesday, Aug. 20. BLUEGRASS: DUDLEY FARM STRING BAND

• Thursday, Aug. 21. ROCK: ROPE

• Friday, Aug. 22. CABARET: RICH MORAN

• Thursday, Aug. 28. BLUEGRASS: RAGWEED

• Friday, Sept. 5. ACOUSTIC ROCK: JAMES VELVET & THE LONESOME SPARROWS

• Wednesday, Sept. 10. STRING QUARTET ROCK: THE TET OFFENSIVE

• Friday, Sept. 19. INDIE ROCK: EURISKO

• Wednesday, Oct. 1. SINGER-SONGWRITER: NAMOLI BRENNET

• Friday, Oct. 3. SINGER-SONGWRITERS: DAPHNE LEE MARTIN, HANNAH FAIR