New Releases 1/7/14

Top Hits
Closed Circuit (thriller, Eric Bana. Rotten Tomatoes: 40%. Metacritic: 51. From Manohla Dargis’ New York Times review: “Closed Circuit, a slick, tasty slice of late-summer nonsense from Britain, comes soaked in gunmetal blue and paranoia. The anxiety is well founded: they’re watching us. A lot — especially through the ubiquitous closed-circuit television cameras that dot London like neighborhood constables or plague sores, depending on your view of life in the surveillance state. Millions of these cameras watch over Britain, at least half of which seem as if they’d been tapped for this movie to lord down from lampposts and buildings over the little people below, including a concerned-looking yet manly Eric Bana and an equally fretful, fetching Rebecca Hall.” Read more…)

And While We Were Here (romance/drama, Kate Bosworth. Rotten Tomatoes: 45%. Metacritic: 46. From Stephen Holden’s New York Times review: “While watching Kat Coiro’s dour marital drama, And While We Were Here, I realized with a mixture of sadness and relief that adultery and erotic discontent, at least in the movies, are not what they used to be. They’ve lost any frisson of the exotic and forbidden. The film, in which Kate Bosworth and Iddo Goldberg play a young married couple who travel to Italy and face the reality of their loveless marriage, is an undisguised homage to Roberto Rossellini’s Voyage to Italy and, to a lesser extent, Michelangelo Antonioni’s film L’Avventura.” Read more…)

The Painting (France, animated drama, Jean Barney [voice]. Rotten Tomatoes: 81%. Metacritic: 70. From Anita Gates New York Times review: “Ramo loves Claire, but he is an Alldunn, and she is a Halfie, and their romance is forbidden in the world of Le Tableau, a French animated film now released in English as The Painting. The children’s-story premise is that these people live in a painting, which the artist left unfinished. [In Claire’s case, her face has not been colored in; from the neck up, she looks like a black-and-white Modigliani.]” Read more…)

New Blu-Ray
Closed Circuit
The Painting
Cabaret (1972, drama/musical, Liza Minnelli. Rotten Tomatoes: 97%.)
Doctor Zhivago (1965, epic, Omar Sharif. Rotten Tomatoes: 85%.)
How the West Was Won (1962, western, James Stewart. Rotten Tomatoes: 100%.)
Ben-Hur (1959, historical epic, Charlton Heston. Rotten Tomatoes: 89%.)
A Star Is Born (1954,, drama, Judy Garland. Rotten Tomatoes: 96%.)
A Letter to Three Wives (1949,drama/romance, Jeanne Crain. Rotten Tomatoes: 93%.)
The Man Who Knew Too Much (1956, thriller, James Stewart. Rotten Tomatoes: 89%.)
The Big Parade (1925, war drama/silent, John Gilbert. Rotten Tomatoes: 100%.)
Cavalcade (1933, Noel Coward-scripted epic, Clive Brook. Rotten Tomatoes: 59%.)
Parade’s End (HBO mini-series, romance, drama, Benedict Cumberbatch. Rotten Tomatoes: 68%.)
Girls: Season 1
Girls: Season 2
Veep: Season 1
Magic City: Season 1

New Foreign
The Painting (France, animated drama, Jean Barney [voice], in Top Hits. Rotten Tomatoes: 81%. Metacritic: 70. From Anita Gates New York Times review: “Ramo loves Claire, but he is an Alldunn, and she is a Halfie, and their romance is forbidden in the world of Le Tableau, a French animated film now released in English as The Painting. The children’s-story premise is that these people live in a painting, which the artist left unfinished. [In Claire’s case, her face has not been colored in; from the neck up, she looks like a black-and-white Modigliani.]” Read more…)

New Classics (pre-1960)
Cavalcade (1933, Noel Coward-scripted epic, Clive Brook. Rotten Tomatoes: 59%. From Mordaunt Hall’s 1933 New York Times review [requires log-in]: “It is a most affecting and impressive picture that the Fox studios have produced from Noel Coward’s stage panorama, Cavalcade. It reached the Gaiety last night and, without having seen the original, one senses the genuine quality of the film and also the advantages that have been taken of the camera’s far-seeing eye. Never for an instant is the story, which takes one through three decades of life in England, lost sight of, notwithstanding the inclusion of remarkable scenes of throngs in war and peace, and it is a relief to observe that the obvious is left to the spectator’s imagination.” Read more…)

New British
Copper: Season 2

New TV
The Following: Season 1

New Documentaries
Inequality for All (economics, poverty, wealth distribution, Robert Reich. Rotten Tomatoes: 92%. Metacritic: 68. From Nicolas Rapold’s New York Times review: “The concentration of our country’s wealth among the very rich has gone from being an unsettling factoid to a rallying cry, and Jacob Kornbluth’s Inequality for All hands the bullhorn to Robert Reich, the labor secretary under President Bill Clinton. Rather than through a harangue or a lament, Mr. Reich ties together his talking points with a reasonable-sounding analysis and an unassuming warmth sometimes absent from documentaries charting America’s economic woes.” Read more…)

New Releases 08/27/13

Top Hits
The Great Gatsby (literary drama, Leonardo DiCaprio. Rotten Tomatoes: 49%. Metacritic: 55. From A.O. Scott’s New York Times review: “The best way to enjoy Baz Luhrmann’s big and noisy new version of The Great Gatsby — and despite what you may have heard, it is an eminently enjoyable movie — is to put aside whatever literary agenda you are tempted to bring with you. I grant that this is not so easily done. F. Scott Fitzgerald’s slender, charming third novel has accumulated a heavier burden of cultural significance than it can easily bear.” Read more…)

Pain & Gain (action, Mark Wahlberg. Rotten Tomatoes: 46%. Metacritic: 44. From A.O. Scott’s New York Times review: “To describe Pain & Gain as a Michael Bay movie on steroids would be accurate but also redundant and a little misleading. Pumped-up, aggressive, muscle-headed entertainment is Mr. Bay’s specialty, after all, and while this grisly true-crime drama is partly about performance-enhancing drugs and the bulky men who love them, it is also, compared with Armageddon or the Transformers series, a stripped-down, modest enterprise in which no major American city is reduced to rubble.” Read more…)

Kon-Tiki (action/adventure, Anders Baasmo Christiansen. Rotten Tomatoes: 83%. Metacritic: 63. From Manohla Dargis’ New York Times review: “Directed by Joachim Roenning and Espen Sandberg, with a script by Petter Skavlan, Kon-Tiki is instead a stolidly old-fashioned and manly hair-in-the-wind entertainment of the sort that could have filled out the bottom of a studio double bill. The men are handsome, the sea is pretty and if the sharks look as rubbery as last week’s chicken, at least they add some drama — and buckets of sloshing blood and guts — to what otherwise proves a dull affair.” Read more…)

At Any Price (drama, Dennis Quaid. Rotten Tomatoes: 51%. Metacritic: 60. A New York Times Critic’s Pick. From Stephen Holden’s Times review: “‘Expand or die.’ That ominous motto of Henry Whipple, a successful Iowa farmer in Ramin Bahrani’s new film, At Any Price, distills the business philosophy of a man driven by ambition. Henry, who farms more than 3,000 acres, is an aggressive, unscrupulous salesman for a company that markets genetically modified seeds. With a too-wide grin that threatens to crack the corners of his mouth and a backslapping friendliness that verges on obsequiousness, Henry is portrayed by Dennis Quaid as a warped caricature of a reassuring American archetype: the down-to-earth family man in the heartland with his feet firmly planted in the soil.” Read more…)

The Reluctant Fundamentalist (drama, Riz Ahmed. Rotten Tomatoes: 54%. Metacritic: 54. From Manohla Dargis’ New York Times review: “In his slim 2007 novel, The Reluctant Fundamentalist, the Pakistan-born writer Mohsin Hamid takes these two words and rubs them together until they throw off intellectual sparks. Written as a monologue, it is a somewhat claustrophobic blurt of a book that, given world events, continues to feel eerily timely. The monologue is delivered by Changez — a young Pakistani university lecturer grievously, possibly violently disenchanted with the United States — to an unnamed American who may be some kind of United States operative… Comparing books to the movies made of them isn’t always necessary or productive, but it’s instructive when the results are as thuddingly crude as Mira Nair’s take on The Reluctant Fundamentalist. Blunt where the novel is subtle, it follows its source in outline, with Changez [a fine Riz Ahmed] narrating his tale to the stranger, here a journalist with a preposterous name, Bobby Lincoln [Liev Schreiber], and a fairly clear-cut relationship with the American government.” Read more…)

The Painting (animated feature, Kamali Minter [voice]. Rotten Tomatoes: 76%. Metacritic: 70. From Anita Gates New York Times review: “Ramo loves Claire, but he is an Alldunn, and she is a Halfie, and their romance is forbidden in the world of Le Tableau, a French animated film now released in English as The Painting… This is a sweet adventure story for children. [Surely, American parents can deal with the bare breasts of one talking painting.] For adults it is short on narrative sophistication but visually a true objet d’art.” Read more…)

DC Universe: Superman Unbound (PG-13 animated feature)
The Dragon Pearl (fantasy/adventure, Sam Neill)

New Blu-Ray
The Great Gatsby

New Classic DVDs (pre-1960)
To Be or Not to Be (1942, Ernst Lubitsch-directed political satire, Carole Lombard. Rotten Tomatoes: 97%. A New York Times Critic’s Pick. From Bosley Crowther’s 1942 New York Times review [requires log-in]: “Hamlet’s most famous soliloquy was a positive declaration when compared to the jangled moods and baffling humors of Ernst Lubitsch’s new film, To Be or Not to Be, which opened yesterday at the Rivoli under delicate circumstances at best. For not only was this the last picture in which the late Carole Lombard played—and on which was therefore imposed an obligation of uncommon tact—but it happens to be upon a subject which is far from the realm of fun. And yet, in a spirit of levity, contused by frequent doses of shock, Mr. Lubitsch has set his actors to performing a spy-thriller of fantastic design amid the ruins and frightful oppressions of Nazi-invaded Warsaw. To say it is callous and macabre is understating the case.” Read more…)

New TV
The Walking Dead: Season 3
Sons of Anarchy: Season 5

New Documentaries
Koch (bio, politics, Ed Koch. Rotten Tomatoes: 89%. Metacritic: 71. From A.O. Scott’s New York Times review: “In the film [former New York City Mayor Edward] Koch himself, who dies at 88 on Friday, seems to have mellowed very little. New York may be a safer, cleaner and less argumentative place than it was in the 1980s, but the Ed Koch of 2010 appears as contentious, as mischievous and at times as inflammatory as ever. We see him campaigning for Andrew Cuomo, whose father, Mario, was Mr. Koch’s rival in a bitter Democratic primary in 1977 and in the gubernatorial race five years later. We also hear him call the younger Cuomo ‘a schmuck’ on election night and speak disparagingly of another Democrat, Senator Kirsten Gillibrand of New York.” Read more…)

Iceberg Slim: Portrait Of A Pimp (bio, culture, literature. Rotten Tomatoes: 62%. Metacritic: 56. From Miriam Bale’s New York Times review: “The monikers Ice-T and Ice Cube nod to the influence of Iceberg Slim, the pimp turned author whose real name was Robert Beck, on the ethos and style of gangster rap. In further homage, Ice-T has produced Iceberg Slim: Portrait of a Pimp, a documentary told through talking-head admirers including Chris Rock and Snoop Dogg. The film was directed by Ice-T’s manager, Jorge Hinojosa, a first-time director who credits reading Mr. Beck’s first book, Pimp: The Story of My Life [1967], at Ice-T’s suggestion, with teaching him everything he needed to know about ‘the game’ of managing a rap star with larger ambitions.” Read more…)

Scatter My Ashes at Bergdorf’s (fashion, Giorgio Armani. Rotten Tomatoes: 50%. Metacritic: 55. From Andy Webster’s New York Times review: “It’s clear that top fashion designers aspire to a presence at Bergdorf Goodman, the high-end Manhattan department store, given the numbingly relentless litany of encomiums in Matthew Miele’s documentary Scatter My Ashes at Bergdorf’s.In this glossy, fawning valentine to conspicuous consumption [the title derives from a Victoria Roberts cartoon in The New Yorker], the stars — Karl Lagerfeld, Giorgio Armani, the Olsen twins, Marc Jacobs, Manolo Blahnik, Michael Kors and others — dutifully pay tribute. Thank heaven for a bubble-popping Joan Rivers, who blithely observes, ‘People who take fashion seriously are idiots.'” Read more…)

New Children’s DVDs
The Painting (animated feature, Kamali Minter [voice], in Top Hits. Rotten Tomatoes: 76%. Metacritic: 70. From Anita Gates New York Times review: “Ramo loves Claire, but he is an Alldunn, and she is a Halfie, and their romance is forbidden in the world of Le Tableau, a French animated film now released in English as The Painting… This is a sweet adventure story for children. [Surely, American parents can deal with the bare breasts of one talking painting.] For adults it is short on narrative sophistication but visually a true objet d’art.” Read more…)

The Dragon Pearl (fantasy/adventure, Sam Neill, in Top Hits)